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Winspark Casino 5€ no deposit and 50 free spins (register)

Winspark Casino 5€ no deposit and 50 free spins (register)

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‘Winning Happens Here’, happens to be the casino’s motto and if you are fan of instant-win lottery games, then WinSpark is sure to get your attention. In the online casino business, new does not always mean better, especially when it comes to new casino brands. Older casinos tend to have a reputation that is easy to track online. Besides, if they have survived for a long time, they must be doing some things right to attract players.
The same can be said about Winspark casino. Often, you only need one glance to identify a casino that is more than five years old - they often have sizeable gaps on both sides of the screen. Winspark is one such casino.
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The casino claims to have been launched in 2018, but we suspect that to be only partially true. Online research indicates that the casino has been around since 2008. They probably revamped and relaunched the website in 2018, which is quite usual given the speed at which casino gaming technology is progressing these days.
The casino is among the smaller operations out there, owned by a Cypriot firm and operating out of Curacao with a gaming license from that Caribbean territory. In terms of the targeted audience, Winspark Casino invites players from across the globe. This is also validated by the number of international currencies accepted here - eight in total.
As for the software platform, the casino uses the lesser known Netoplay software, which is also from Cyprus. The games selection is quite limited, as they only stock games developed in house by the software provider. But since Netoplay casinos are few and far between, the gaming experience is bound to be a change from the usual set of games you see at many multi-vendor casinos out there. They also have a decent RTP of around 95%.
One gripe we have with the casino is regarding RNG testing - according to the casino website, the games' RNG testing is carried out in-house. They should seriously consider outsourcing it to credible third-party labs if they want players to trust them.
The casino offers both a welcome bonus as well as a no deposit bonus for new players. This is not something we see often these days and full marks to the Winspark casino team for giving new players these freebies. The promotions department is also surprisingly deep, filled with several contests, and other bonuses.
Winspark is a no download, instant play casino with full support for mobile devices and tablets. This puts them squarely among the new breed of online casinos which are using HTML5 technologies to provide a smooth casino experience, right out of ordinary web browsers.
Problem gambling is to casinos what alcoholism is to liquor brands. Casinos like Winspark are trying to make a difference here, offering exclusion measures and guidelines to help players avoid this fate. The casino has also partnered with organizations like GamCare to provide support to problem gamblers.
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Winspark casino is quite an oddity in the world of online casinos when it comes to software and games. White label casinos are nothing new in this business. Major software companies package readymade casinos to operators who can then decorate these with unique themes and attract customers.
While Winspark is a white label casino, what makes it unique is the software provider - a Cypriot company called Netoplay. They are one of the smaller brands in this business. And as they were established in 2008, they also happen to be one of the youngest.
The main advantage of the Netoplay platform is its stability. As only a handful of casinos use this platform, it is also quite rare. Some players might like the change of pace they find here when compared to the multi-vendor casinos teeming with hundreds of the same games from the same software providers.
The platform is quite capable and can offer instant play online across multiple device types and operating systems. It is quite the modern online casino software that we have here. It is also backed by industry-standard protection software, including the latest SSL 128-bit encryptions for maximum security.
The casino does not have any download client, nor does it need one in this day and age. The instant play casino is plenty good for most client needs. They could develop Android and iPhone apps in the future though, to better attract mobile-only gamers.

Software Provider

Often, the casino software platform allows the operator to add games from other vendors to the casino. Sadly this is not the case at Winspark Casino. You only have the Netoplay bouquet of games to choose from.
Don't get us wrong - the games are quite decent. But they cannot be compared to big budget titles from the best companies like Netent and Microgaming. And there is only a handful of them, to begin with.

Games

Virtually the entire games collection can be seen right at the welcome page of the casino. Since there are only around forty games in total at this casino, you don't have to scroll down endlessly to check out each of them.
Contrary to some reviews online, Winspark casino does not cater to the needs of every type of casino player out there. They do try hard, with a not too shabby collection of different game genres, but there are many missing categories in this casino game library.
Card games, table games, and live dealer games are conspicuous by their absence. These games like blackjack and baccarat require advanced software and game studio capabilities, which are not available to a small firm like Netoplay.
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Modern instant play casinos like Winspark offer some unique features like identical experience across multiple devices and operating systems. This is a far cry from just a few years ago when you could only have the fullest online casino experience on PCs. Mobile and tablet gamers had to make do with many restrictions and a smaller games collection.
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Dragon Quest XI S Definitive Edition demo is out! Here are some tips to prepare you for the journey ahead in what is one of my favourite JRPG

Hello! I have played every mainline Dragon Quest and while I did not expect much from DQXI at first, I was floored at the quality and the sheer strength that the game displays on many fronts to the point that it became one of my top 3 DQ games of all time!
Here are some tips for you to make the adventure as good as it gets. You can use most of these tips on the demo already, so experiment around!
Dragon Quest XI is a very well-tuned game in terms of convenience, in fact I haven't played a JRPG that gives such a host of conveniences and quality of life features the way DQXI does. Many people say it's traditional, but the way it makes the experience as painless and fluid as possible shows that there is a reason the series is still relevant today.

TIPS

------ PRESS X TO OPEN DRACONIAN QUEST WHEN NAMING YOUR CHARACTER TO GET EXTRA DIFFICULTY OPTIONS ------
You will not get the opportunity to activate them again. DQXI has a set of modifiers to make the game more challenging and let me tell you that it can get very challenging. If you live and die by difficulty in your JRPG, DQXI can get pretty up there. Much harder than Persona 5's own hard mode.
What if you want to try but not commit? The game allows you to drop one of the modifiers at every church or goddess' statue, but doing so is permanent.
I recommend at least "All Enemies Are Super Strong" which is the hard mode difficulty. The game can be pretty easy until the last third with normal difficulty, but this hard mode modifier gives a mean challenge for you to enjoy. Other cool modifiers are "Reduced experience from easy fights" preventing grinding and "No Shopping" meaning you have to craft your gear instead of buying it.
Other than that, there is nothing in the game where you have to 100% commit with no going back. Just don't forget to set this out in New Game
_____________________
That's pretty much all I can think of. DQXI is overall very approachable and you can get by very easily. You have a ton of option you can use to fine tune your experience and make it as good as possible. I definitely recommend this game as one of the best JRPGs on the system alongside Final Fantasy XII as it is a stunner and has some super cool characters to the point that I ended up tearing up that my adventures with them has ended.
Definitely give this game a chance if you can. I can vouch DQXI deserves all the praise it gets (and more)!
submitted by RadicalMemers to NintendoSwitch [link] [comments]

Interview with magician Jeff McBride

Interview with magician Jeff McBride
WHO IS JEFF MCBRIDE?
Chances are you are reading this article because you already have some interest in magic. So maybe you've already heard of the name Jeff McBride. If you have, you'll already be familiar with his credentials, so you'll be itching to get straight the good stuff and read what he's got to say, because you know it's going to be worth reading.
But if you haven't heard of Jeff McBride before, let me tell you why this interview is a must-read: ● Are you into card magic? Jeff has been doing card magic his whole life, and is one of the very best in the world at card manipulation and sleight of hand. He has also been running his famous Magic & Mystery School for over 30 years. ● Are you into cardistry? Jeff's instructional Art of Card Manipulation videos were some of the foundational materials that shaped fathers of the cardistry movement like Dan and Dave Buck. Card manipulation is his speciality, and if there's anyone that we can learn a thing or two about card handling from, it's him. ● Are you into card collecting? Jeff's entire career has been built with a deck of cards in his hands, and he also collects some playing card memorabilia himself.
So if you are a magic enthusiast in any way, this is a wonderful opportunity to learn from one of the greatest living card men. We were delighted when Jeff agreed to do this interview with us, and couldn't wait to hear some of his thoughts about various topics relating to his own career with playing cards. We even got opportunity to visit him at his own place, and take some photos of his memorabilia and more, which we have permission to show our readers for the first time! But first let's share some of his credentials, so that we can appreciate what he has to say in the context of his own accomplishments and achievements.

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Jeff McBride the Performer
Jeff McBride has had a love for magic that goes back to his childhood in New York's Catskill mountains, where he grew up. As a young boy he stumbled across The Golden Book of Magic in a library, which quickly became his first magic Bible. He performed gigs locally, did street performances, and eventually moved to Las Vegas, where he successfully built a career in magic, and performs his award-winning stage magic and runs a magic school.
His performance style is highly praised for its unique blend of traditional magic with a form of Japanese theater called kabuki. Drawing on an unusual mix of skills that includes martial arts, philosophy, and more, Jeff's stage act combines an unorthodox blend of sleight of hand with masks and mime, to create a unique show like no other. Besides his "home" stage in Las Vegas, he's performed on stages and in theaters around the world, including touring with The Illusionists. A Jeff McBride show never fails to showcase his dynamic, innovative, and creative personality, from someone who has proven himself over time to be a master entertainer, showman, and sleight-of-hand artist.
Jeff McBride's list of awards is too lengthy to cover all of them. But to mention just a few, he's received recognition from exclusive and respected organizations, including "Magician of the Year" by The Magic Castle's The Academy of Magic Arts and "Magician of the Year" by the Society of American Magicians. In 2018 the International F?d?ration Internationale des Societes Magiques (FISM) gave him their "Theory & Philosophy Special Award", in tribute for his lifetime contribution to magic from a viewpoint that is analytical and academic. This illustrious award has previously been given only to Tommy Wonder, Juan Tamariz, Eugene Burger, and Roberto Giobbi. Most recently in January 2020 he was inducted into the prestigious Hall of Fame by the Society of American Magicians. He is part of a very small group of living magicians that are part of this exclusive club, which includes David Copperfield and Siegfried and Roy. He's even the holder of three world records - don't worry, we'll be sure to ask him about that in our interview!
And of course he has appeared on television many times, already back in 1995 as part of the "World's Greatest Magic, and more recently on shows like Masters of Illusion, Criss Angel's Mindfreak, and Penn & Teller's Fool Us. But he's not just "another magician", as his selection as a judge for the 2008 reality celebrity-magic show Celebradabra confirms. Already more than ten years ago filmmakers produced a documentary about him, entitled Jeff McBride: A Magickal Life. This has been highly praised by magicians and viewers for how it shows his journey from a boy magician to a headline act in Las Vegas, and also his personal spiritual journey and development from a brash young man into a mature and caring magician who is keen to pass on the art of magic to the next generation. He really is one of the best.
Jeff McBride the Teacher
While the first part of his career was all about performing in his inimitable style, as the years have passed Jeff McBride has more and more mellowed into a highly respected teacher, with a keen interest in sharing his wisdom with others, and helping young magicians develop their skills in magic. Besides many written works, he's produced best-selling and highly influential instructional videos on the art of card manipulation, and on stage magic. His current passion is to serve as a sage that helps other magicians make their dreams as performers come true.
Perhaps his crowning achievement and lasting legacy is the McBride Magic & Mystery School, which he established in 1991. This is a world-renowned training ground for stage magic, and is generally regarded as the very best and most prestigious institution in the world for receiving magic instruction. There's simply no better place for aspiring magicians to go, in order to take seminars, classes, and workshops, to help raise their magic to a higher level, and to learn the true secrets of the craft.
Highly respected magician and lecturer Eugene Burger (pictured below with Jeff McBride) served as Dean of this school until his sad passing in 2017. It was from him that Jeff learned the importance of burning one end of your own candle in order to light someone else's candle. Many leading magicians have served on the faculty or as guest instructors, including big names like Lance Burton, Johnny Thompson, and Max Maven.
Jeff McBride is a wonderful entertainer himself, but his current passion is to be a mentor to others, and he will leave a lasting stamp in the lives of many magicians of the future. But now it's time for us to sit at his feet, and learn a thing or two from his life, and about his experiences with playing cards in particular.

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THE INTERVIEW
GENERAL BACKGROUND
For those who don't know anything about you, what can you tell us about yourself and your background?
I started my career with a pack of playing cards. Now I headline Las Vegas shows, and theaters and festivals all over the world. I also run a very successful magic school in Las Vegas, and I teach online.
I am one of the first magic teachers to create a video series, and my breakthrough videos on card manipulation taught the world how to perform flourishes and card manipulation, which happened to grow into a new cardistry movement. I was fortunate enough to train with great old-school masters and I put out The Art of Card Manipulation which caught on in Asia. The material contained within those DVDs - they were VHS videos at that time - did not need words to understand how to perform the magic, so they had international appeal. Many people like An Ha Lim and leading Asian manipulators found these, and my videos were their original training tools.
What would be some of the highlights in your career in magic?
Performing at Radio City Music Hall, the largest theater in the world with no screen support, no image magnification, and performing my card manipulation routine. The only other person that had that experience was Cardini. That was one of the highlights.
And of course, being inducted into the Society of American Magicians Hall of Fame. Also winning the FISM Special Award for Theory and Philosophy was a highlight. That's an award I share with Tommy Wonder, Juan Tamariz, and Eugene Burger.
How would you describe the style of the amazing act that you are known for?
I call it "sorcerer" style, which is very fiery and dynamic. There are many types of card routines, and mine is very explosive and dynamic. In fact during my touring seasons with the hit show The Illusionists, the closing number of the show was my card routine, just before the snow storm sequence. So my card routine can fill a giant theater. At that time of The Illusionists we were working a 7,000 seat theater. So my motto was "pack small, play big."
What were your major influences for this style of performance?
My influences came from many directions. I realized early on that performing standard magic was not a path to success. It was a path to working weddings, bar mitzvahs and birthday parties. In order to break out, I had to become a much more dynamic performer and I added other skillsets I had studied, like classic pantomime theater, which I'd studied at the American Mime Theater. I combined martial arts and my passion for masks and quick change, and dance. And it was this fusion of all of these different theatrical elements that made a huge difference. It was much more than magic, it was a total theatrical experience.
Where can people go to see you perform today?
I teach magic on a platform called MagicFlix. There's performances and tutorials. It's the world's leading streaming platform for magic. So you can immediately see me there. If you want to trial it, all you have to do is go to MagicFlix's website, enter your information, and put in the code MCBRIDE, and you can get 30 days for free. You can see not only myself, but the great masters of magic, and some of the great card magicians in history, as well as learn my card manipulation sequences.
Also if you want to see my live shows, I perform in Las Vegas at Wonderground, which is the longest running independent variety magic show in the history of Las Vegas. It is not attached to a casino, so we can do some pretty wild stuff! That's been running 11 years, and has hosted more variety entertainers on its stage than any other stage in Las Vegas.
What should we know about the McBride Magic & Mystery School, which has now been running for around 30 years?
It's now over 30 years. The McBride Magic and Mystery School came out of a great desire to study with masters. The challenge I see these days is that most people are learning magic from their peers, from people in their own age group. And not necessarily looking up the ladder at masters that have achieved great amounts of success.
So what I did 30 years ago, is I decided to host a retreat for masters to come and teach hungry students, mostly professionals, that were willing to empty their cup and fill up on wisdom and on the experience of great masters. And over the years we've had Eugene Burger, Johnny Thompson, Max Maven and many, many other masters come to the school to help our students understand the path to mastery. So not just learning from your pals online or at magic class, but really top-down training from experts in the field.
What are some of your interests outside of magic?
I spend a lot of time going to other conferences learning more skills on how to facilitate life-transforming experiences. So I spend a lot of time still studying how to teach more effectively, both in person and online.

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MAGIC
What quality in magic makes it so enjoyable for people to watch?
I think there is not one thing. People like engineers have a really different relationship with magic; if you watch them squint their eyes and wrinkle their forehead while they watch magic, they're only interested in the puzzle aspect. Other people are interested more in the mystery aspect. So there's different types of audiences. There's the audiences that like to sit there and try to figure the tricks out. And then there's the audiences that like to sit back and enjoy the mystery.
I was having this conversation with Judge Gary Brown, who's a wonderful magician, creator, inventor, and writer. He sent me a quote from Dariel Fitzkee, which talks about "Is magic more than fooling?" Fitzkee says - and this is written up in The Fitzkee Trilogy - "Don't put too much stress on the trick itself as a mystery. Your audiences might suddenly think of television, which is much more miraculous. Stress it in terms of human interests, of human relationships, of character response, of human situations. If the mystery were important, the much greater miracles of our everyday world would far outshadow it. Method is important only as a means of accomplishing a desired end, like the grindstone which sharpens the headman's ax. The ultimate objective is something entirely different."
Our Dean of the Mystery School, Larry Hass, entered this conversation and read it like this: "It isn't not knowing or fooling that is important, and it isn't even encountering mystery. It is what a human artist expresses about humanity and life itself that is the real core of the experience of magic." Penn and Teller do both: making it hard with the fooling method, but their show and their stories are also about issues in politics, in relationships, in critical thinking, in skepticism. They have many, many presentational frames that are about more than just mystery or fooling.
That's what I saw in Eugene Burger so many years ago. His magic was coming from a deep, philosophical perspective and experience that gave it a richer meaning than just Instagram magic and flashy, "How does he do that?" sort of stuff that is so pervasive on YouTube and social media. Perhaps performers will soon be able to give more depth to their magic instead of just what I call eye-candy. My goal is to transform eye-candy into soul food.
What first sparked your interest in magic?
I talk about it at the end of my show each and every day. My life was changed forever when a magician said, "Pick a card." And this magician was actually a young girl named Linda Van Etten who had a twin sister named Susan, and they knew card tricks. And they showed me a card trick, and from that moment on I knew what I wanted to do. It was a card reversal in a deck with a card turned face up in the deck. I was six years old at the time. And by seven years old I was deep into magic.
I think sometimes we forget - because magic and cards are so familiar to us - that the simple task of having somebody pick a card can change their lives. That's an important thing to remember.
What is the key to your longevity in the magic industry over several decades, and what keeps you going as a performer and teacher?
I think my longevity is due to being able to adapt and recreate myself to make my magic relevant at the different stages of a magician's life. At the Mystery School there's kind of a typology that we use: "The trickster, the sorcerer, the oracle, and the sage." Those are the four stages of the magician's life. From learning simple tricks, to being able to perform, to learning all of the meaning and interior worlds of magic, and then being able to pass that knowledge onto the magicians of the future.
I've worn the mask of the trickster in my younger days, and in mid-life, the sorcerer, burning up stages all over the world. And then taking time out to reflect and look inside for meaning and taking time for introspection. I'm now at the stage of my life of being able to pass on a lifetime of wisdom and experience to future students. So I think it's a process of reinvention that has helped me endure and keep my passion for magic.
I try to read as much as I can. I try to watch as much as I can. I try to get together live with magicians as much as I can. And teach and go study as much as I can. Zero TV. I have not had a working TV in my home since 1979. Most people spend way too much time on the internet and television, and way too much time on Facebook and social media.
What's the path to mastery: Facebook and social media? Or reading and practicing and videoing and refining your show? That's not for everyone, because that's not everyone's goal. Some people are very content to sit on magic forums and ask "What's the best trick? What's the best three tricks for close up?". That's okay, but that's not getting real world experience and going out and doing it.

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How important is one's own personality in performing magic, and how did this play a role in your own career?
I think that magicians discover their personality through performance. I know that I have become many different versions of Jeff McBride over the years. Because when we're young, magic is just about learning the trick, and doing it and getting the `wow'. Then as we get older, magic gets to be a way of interacting and getting a social edge, and being able to be seen and stand out from the crowd. And if people pursue it more, they develop a personality and a connection to performing magic that might take them around the world. Or just to make them the hit at the family reunion, so that people can have a peaceful time at the Thanksgiving table!
People have different reasons for performing magic at different times in their lives. Some people use it to compete. Other people use it to teach and instruct. Other people use it to wind down after a hard day's work. But I think magic is a way to develop aspects of your personality. And I think that is a very powerful role that magic plays in our lives.
Are there differences in how an amateur and a professional approach magic?
Absolutely. I started reading a blog and books on a website called The Jerx, which is a very opinionated, very humorously yet potently written blog about magic from an amateur's point of view. Different rules apply if you want to be a professional: there's costuming, there's lighting, there's sound, there is scripting, and all of these other theatrical components that are essential in creating a theatrical magical experience, if that is your goal.
However the writer at The Jerx - and I really am entertained and often enlightened by his writing - has a completely contrary view to this. Instead of me trying to rehash his personal experience writing and philosophy, if you are an amateur magician and want to read about other people's opinion on amateur magic and non-professional magic, just take a visit to The Jerx - you'll find some very interesting information there.
It was a wake up call to me, because not everybody that performs magic wants to be professional. Some people just want to do it for their friends and have fun, and that's a perfectly satisfying lifestyle of magic. And they don't need scripting and they don't need all of the other requirements of the theater, because they're not working in theater; they're just doing it for their friends at the office. And that's perfectly fine.
However, the rules do change when you get up onstage in front of 5,000-6,000 people in a theater! Then you need to consider some of those elements.
But as Eugene Burger reminds us, "There are many rooms in the house of magic." There are many rooms for all of us, including rooms for the people that are passionate amateurs, whom I call "enthusiasts". I don't like the word "amateur" myself, so I use the word "enthusiast", because there are many great magic enthusiasts that have never been full time and professional magicians. And that's perfectly valid. Magic is not about tricks, and magic is not gauged on the box office success. Magic is really a way to enhance the quality of your life, and there's many ways to do that. If a person is collecting cards, they don't have to collect every deck to feel complete, they can collect the ones they like, and that's fine, right? Everybody has their own path to walk.
How has the magic industry changed since you first became involved in it, and how has technology impacted it?
It's a double-edged sword. We talk about YouTube and Instagram and all these different ways that people consume magic, but most of this magic is eye-candy and very shallow. There are archives of great performers on YouTube, but it's still mediated and it's not the same as being there.
It makes me sad when I see a clip of Fred Kaps on YouTube and then some bozo going, "Fake, fake, fake, he has a thing in his hand, it's frame 725!" My response would be: "You're critiquing Fred Kaps? Go practice. Don't be giving critiques to Fred Kaps, who won FISM like three times, hello? And you're 14, and you've stopped a frame because you've watched it 15 times, and you're so clever, really?" That's what hurts magic, I think.
What also hurts is when you look up a great performer, say Cardini, and right next to it there are sixteen YouTube clips of 12 year old kids in their pajamas teaching a bad back palm, just because they want clicks and hits on their YouTube site. It's disgraceful. So that's what hurts magic.
However technology has also made possible sites like MagicFlix, which have a bit of a firewall to them, so that people have to be invited to it to get there. Those people that have serious passion can now study with all of the great masters. They can study with Karrell Fox, Jay Marshall, Tom Mullica, Johnny Thompson, Daryl, and so many others. And it's very convenient for learning. So that's the good side of it.
When people get interested in magic on the internet, hopefully they'll find a teacher. But what mostly happens today is they just stay online. That's not really learning magic, that's collecting secrets. That's collecting postage stamps. That's not transforming these into meaningful, magical experiences.
What we do at Mystery School is create a learning environment that's a safe place for people to come to, in order to really study the secrets of magic. Everyone here signs a secrecy agreement, so that the things that we teach won't be bastardized by exposure on the internet. We feel that Mystery School is one of the last great holdouts of secret information. When all of the secrets are just out there, there is no magic. There has to be secrecy, in order to create very effective magic.
And we keep working and innovating, and looking through the old books and digging out the gems, polishing them up, and fusing them with new materials and new technology to create hybrid magic effects that have never been seen before. That's a passion of ours: resurrecting some of these old magic gems and bringing them to new audiences.
So there's a struggle, these days with exposure. But the good news is that it's just too much for any one person to observe. A lot of the real secrets of magic are in the books. The internet is just a little tiny tip of the huge iceberg of magical literature that is hidden away. Many people call themselves, as Scott Alexander puts it, "visual learners." That means they don't read books. That means they won't ever have the depth of knowledge of someone that can learn visually and can read books. They cut off more than half of the resources that exist for them, and that's a shame.

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What is the most difficult trick you ever performed, and what made it so hard?
Double One-Handed Waterfall. I used to have showdowns with Ricky Jay on the streets of Madrid, Spain. Ricky and I would basically do cowboy showdowns, gun-slinging with cards, late at night. We were attending the FISM convention in Madrid, and we'd have challenges back and forth with card spinning. He definitely could throw much further, but I definitely could do a One-Handed Waterfall in each hand. That's probably the most difficult feat. I actually performed it, I believe, on The Art of Card Manipulation, in one of the little quick cuts.
Do have any good stories you can share about a magician "fail" that you experienced?
There's an old formula that says, "Tragedy plus time equals comedy." All magicians have challenges and barriers on stage, and so have I. In the moment, they're never fun, but you can retell these stories to friends. Everybody has war stories! Let's see if I have one that stands out...
I remember being on stage, and I had to pull some paper ribbons out of my mouth, and then I produced a dove from the paper ribbons. Then I would secretly switch out that bird for a rubber bird, and put it in a paper bag. I would blow up the paper bag, then pop the paper bag, and little feathers would drop out. However, on this day I was pulling the paper ribbons out, and I decided to use scissors to cut the paper ribbons, and I cut a hole inside my lip! I quickly shut my mouth, and my mouth filled with blood. This was my grand finale - I'm thinking "Oh, this is very bad," but the audience can't see anything yet.
So I get to the part where I produce the live dove, and I switch it for the rubber dove, and put it in the bag. But now I have to blow up the bag - I didn't see that coming! And I figure this is a really good time to get all that blood out of my mouth. So I blow up the bag, and it's filling with blood. And when I pop the bag, there's nothing but blood and feathers everywhere, and people screaming! Some teenagers thought it was just so rock and roll, and other mothers and children thought it was so horrible. It was this mixture of some people going out of their mind applauding, and other people going out of their mind screaming. So we never know - even when the worst can go wrong, people will still love it!
How would you like to be remembered in the magic community, and what accomplishments would you still like to make?
I feel like I already am remembered in the magic community. I've accomplished more than all my childhood dreams: headlining Vegas, Magic Castle Magician of the Year, Hall of Fame, FISM Award winner, Guinness World Records - I've done a lot.
Now my goal is to help other people's dreams. So when I see a student of mine like Mat Franco win America's Got Talent and get his own show in Vegas, and my student Aaron Crow win on Britain's Got Talent and come on America's Got Talent with a magic routine that I'd helped him design - that's what I want to be remembered for. When I have students getting their own shows and winning awards. I'm a magic teacher, and I love to give. That's what I love to do now. I still tour and perform internationally all the time, but my passion right now is teaching and helping other people achieve their dreams.
What is one piece of work you have released that you'd like to be remembered by, or which might be of interest to the playing card enthusiast?
Anybody that watches Jeff McBride The Art of Card Manipulation will see how I researched all of the old school material and the stuff that I'd learned in my generation, and put it all together in one place. Those are the videos that the Buck twins - Dave and Dan - saw. Many of the people that first started card manipulation and cardistry saw me on those World's Greatest Magic specials back in the '90s that were filmed at Caesar's Palace. This was one of the first modern versions of card manipulation on TV.
So I think my series on The Art of Card Manipulation imprinted a lot of young magicians, young card handlers, and then the cardistry movement. I was not singularly responsible for that, but The Art of Card Manipulation was definitely essential fuel for it, because it was the most comprehensive card manipulation series ever put out.
What advice would you give to a young person just starting to learn card magic or card manipulation?
Learn from your pals, but study in person with a great master. It will shave years off your learning curve.
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CONCLUSION
It takes a lot for the Society of American Magicians to vote you into their Hall of Fame, especially when you're still active performing and teaching. Jeff McBride is one of the few in the world who can lay claim to being part of that select group.
Jeff is first and foremost a performer with a love for entertaining people, and the unique combination of elements that helps make his stage act stand out from other performers will always be a memorable trademark style that people associate with his name. But perhaps his lasting legacy will be the new role he has taken on as a sage and mentor to others. His Magic & Mystery School has been instrumental in producing new magicians who will continue to entertain us in years to come.
With this interview we've had a wonderful opportunity to have a glimpse of his thinking and learn about some of his experiences. Thank you Mr McBride for all that you've given to magic! May this inspire all of us to turn that pack of playing cards in our hands as a tool to develop our own skills, and to share our love for the arts with those around us!
Where to learn more? Check out Jeff McBride's resources here: - McBride Magic: Official site, promo video - Performance videos: Fool Us (2017), Masters of Illusion (2009), Masters of Illusion (2017) - Card manipulation: "Shaman Cards" performance, "King of Cards" performance - Magic & Mystery School: Official site, shop, Facebook - Social media: Facebook, Twitter, Instagram, Youtube - Teaching resources: MagicFlix (code: MCBRIDE), Art of Card Manipulation DVDs, Essential Card Manipulation video

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Author's note: I first published this article at PlayingCardDecks here.
submitted by EndersGame_Reviewer to Magic [link] [comments]

Interview with playing card manipulator and magician Jeff McBride

Interview with playing card manipulator and magician Jeff McBride
WHO IS JEFF MCBRIDE?
Chances are you are reading this article because you already have some interest in playing cards. So maybe you've already heard of the name Jeff McBride. If you have, you'll already be familiar with his credentials, so you'll be itching to get straight the good stuff and read what he's got to say, because you know it's going to be worth reading.
But if you haven't heard of Jeff McBride before, let me tell you why this interview is a must-read: ● Are you into card magic? Jeff has been doing card magic his whole life, and is one of the very best in the world at card manipulation and sleight of hand. He has also been running his famous Magic & Mystery School for over 30 years. ● Are you into cardistry? Jeff's instructional Art of Card Manipulation videos were some of the foundational materials that shaped fathers of the cardistry movement like Dan and Dave Buck. Card manipulation is his speciality, and if there's anyone that we can learn a thing or two about card handling from, it's him. ● Are you into card collecting? Jeff's entire career has been built with a deck of cards in his hands, and he also collects some playing card memorabilia himself.
So if you are a playing card enthusiast in any way, this is a wonderful opportunity to learn from one of the greatest living card men. We were delighted when Jeff agreed to do this interview with us, and couldn't wait to hear some of his thoughts about various topics relating to his own career with playing cards. We even got opportunity to visit him at his own place, and take some photos of his memorabilia and more, which we have permission to show our readers for the first time! But first let's share some of his credentials, so that we can appreciate what he has to say in the context of his own accomplishments and achievements.

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Jeff McBride the Performer
Jeff McBride has had a love for magic that goes back to his childhood in New York's Catskill mountains, where he grew up. As a young boy he stumbled across The Golden Book of Magic in a library, which quickly became his first magic Bible. He performed gigs locally, did street performances, and eventually moved to Las Vegas, where he successfully built a career in magic, and performs his award-winning stage magic and runs a magic school.
His performance style is highly praised for its unique blend of traditional magic with a form of Japanese theater called kabuki. Drawing on an unusual mix of skills that includes martial arts, philosophy, and more, Jeff's stage act combines an unorthodox blend of sleight of hand with masks and mime, to create a unique show like no other. Besides his "home" stage in Las Vegas, he's performed on stages and in theaters around the world, including touring with The Illusionists. A Jeff McBride show never fails to showcase his dynamic, innovative, and creative personality, from someone who has proven himself over time to be a master entertainer, showman, and sleight-of-hand artist.
Jeff McBride's list of awards is too lengthy to cover all of them. But to mention just a few, he's received recognition from exclusive and respected organizations, including "Magician of the Year" by The Magic Castle's The Academy of Magic Arts and "Magician of the Year" by the Society of American Magicians. In 2018 the International F?d?ration Internationale des Societes Magiques (FISM) gave him their "Theory & Philosophy Special Award", in tribute for his lifetime contribution to magic from a viewpoint that is analytical and academic. This illustrious award has previously been given only to Tommy Wonder, Juan Tamariz, Eugene Burger, and Roberto Giobbi. Most recently in January 2020 he was inducted into the prestigious Hall of Fame by the Society of American Magicians. He is part of a very small group of living magicians that are part of this exclusive club, which includes David Copperfield and Siegfried and Roy. He's even the holder of three world records - don't worry, we'll be sure to ask him about that in our interview!
And of course he has appeared on television many times, already back in 1995 as part of the "World's Greatest Magic, and more recently on shows like Masters of Illusion, Criss Angel's Mindfreak, and Penn & Teller's Fool Us. But he's not just "another magician", as his selection as a judge for the 2008 reality celebrity-magic show Celebradabra confirms. Already more than ten years ago filmmakers produced a documentary about him, entitled Jeff McBride: A Magickal Life. This has been highly praised by magicians and viewers for how it shows his journey from a boy magician to a headline act in Las Vegas, and also his personal spiritual journey and development from a brash young man into a mature and caring magician who is keen to pass on the art of magic to the next generation. He really is one of the best.
Jeff McBride the Teacher
While the first part of his career was all about performing in his inimitable style, as the years have passed Jeff McBride has more and more mellowed into a highly respected teacher, with a keen interest in sharing his wisdom with others, and helping young magicians develop their skills in magic. Besides many written works, he's produced best-selling and highly influential instructional videos on the art of card manipulation, and on stage magic. His current passion is to serve as a sage that helps other magicians make their dreams as performers come true.
Perhaps his crowning achievement and lasting legacy is the McBride Magic & Mystery School, which he established in 1991. This is a world-renowned training ground for stage magic, and is generally regarded as the very best and most prestigious institution in the world for receiving magic instruction. There's simply no better place for aspiring magicians to go, in order to take seminars, classes, and workshops, to help raise their magic to a higher level, and to learn the true secrets of the craft.
Highly respected magician and lecturer Eugene Burger (pictured below with Jeff McBride) served as Dean of this school until his sad passing in 2017. It was from him that Jeff learned the importance of burning one end of your own candle in order to light someone else's candle. Many leading magicians have served on the faculty or as guest instructors, including big names like Lance Burton, Johnny Thompson, and Max Maven.
Jeff McBride is a wonderful entertainer himself, but his current passion is to be a mentor to others, and he will leave a lasting stamp in the lives of many magicians of the future. But now it's time for us to sit at his feet, and learn a thing or two from his life, and about his experiences with playing cards in particular.

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THE INTERVIEW
GENERAL BACKGROUND
For those who don't know anything about you, what can you tell us about yourself and your background?
I started my career with a pack of playing cards. Now I headline Las Vegas shows, and theaters and festivals all over the world. I also run a very successful magic school in Las Vegas, and I teach online.
I am one of the first magic teachers to create a video series, and my breakthrough videos on card manipulation taught the world how to perform flourishes and card manipulation, which happened to grow into a new cardistry movement. I was fortunate enough to train with great old-school masters and I put out The Art of Card Manipulation which caught on in Asia. The material contained within those DVDs - they were VHS videos at that time - did not need words to understand how to perform the magic, so they had international appeal. Many people like An Ha Lim and leading Asian manipulators found these, and my videos were their original training tools.
What would be some of the highlights in your career in magic?
Performing at Radio City Music Hall, the largest theater in the world with no screen support, no image magnification, and performing my card manipulation routine. The only other person that had that experience was Cardini. That was one of the highlights.
And of course, being inducted into the Society of American Magicians Hall of Fame. Also winning the FISM Special Award for Theory and Philosophy was a highlight. That's an award I share with Tommy Wonder, Juan Tamariz, and Eugene Burger.
How would you describe the style of the amazing act that you are known for?
I call it "sorcerer" style, which is very fiery and dynamic. There are many types of card routines, and mine is very explosive and dynamic. In fact during my touring seasons with the hit show The Illusionists, the closing number of the show was my card routine, just before the snow storm sequence. So my card routine can fill a giant theater. At that time of The Illusionists we were working a 7,000 seat theater. So my motto was "pack small, play big."
What were your major influences for this style of performance?
My influences came from many directions. I realized early on that performing standard magic was not a path to success. It was a path to working weddings, bar mitzvahs and birthday parties. In order to break out, I had to become a much more dynamic performer and I added other skillsets I had studied, like classic pantomime theater, which I'd studied at the American Mime Theater. I combined martial arts and my passion for masks and quick change, and dance. And it was this fusion of all of these different theatrical elements that made a huge difference. It was much more than magic, it was a total theatrical experience.
Where can people go to see you perform today?
I teach magic on a platform called MagicFlix. There's performances and tutorials. It's the world's leading streaming platform for magic. So you can immediately see me there. If you want to trial it, all you have to do is go to MagicFlix's website, enter your information, and put in the code MCBRIDE, and you can get 30 days for free. You can see not only myself, but the great masters of magic, and some of the great card magicians in history, as well as learn my card manipulation sequences.
Also if you want to see my live shows, I perform in Las Vegas at Wonderground, which is the longest running independent variety magic show in the history of Las Vegas. It is not attached to a casino, so we can do some pretty wild stuff! That's been running 11 years, and has hosted more variety entertainers on its stage than any other stage in Las Vegas.
What should we know about the McBride Magic & Mystery School, which has now been running for around 30 years?
It's now over 30 years. The McBride Magic and Mystery School came out of a great desire to study with masters. The challenge I see these days is that most people are learning magic from their peers, from people in their own age group. And not necessarily looking up the ladder at masters that have achieved great amounts of success.
So what I did 30 years ago, is I decided to host a retreat for masters to come and teach hungry students, mostly professionals, that were willing to empty their cup and fill up on wisdom and on the experience of great masters. And over the years we've had Eugene Burger, Johnny Thompson, Max Maven and many, many other masters come to the school to help our students understand the path to mastery. So not just learning from your pals online or at magic class, but really top-down training from experts in the field.
What are some of your interests outside of magic?
I spend a lot of time going to other conferences learning more skills on how to facilitate life-transforming experiences. So I spend a lot of time still studying how to teach more effectively, both in person and online.

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PLAYING CARDS & CARD MANIPULATION
You have set several Guinness World Records. What can you tell us about these?
I have three Guinness World Records, two of them for coin rolling, and one of them for card spinning. My Guinness World Record certificate states that I was able to "single handedly spin or scale a record of 106 playing cards within 60 seconds." That was set in 2004 for speed, for card throwing.
You are known for your skill in card manipulation. How would you distinguish magic from cardistry?
When they're fused together, they're indistinguishable, because of the flow state. Here are some flourishes, here are some card tricks - I think it can be seamlessly blended together. When I watch young cardists out there, I'm just amazed by the things that I see them doing these days. I'm totally delighted, and it's magical for me. Magicians that call cardistry "juggling" are just not getting what it's about. It's about entering a flow state, mastering these series of moves, and then pushing the envelope, until you have many of these different flourishes that you can string together seamlessly. That's the elegance of it.
What is one piece of work you have released that you'd like to be remembered by, or which might be of interest to the playing card enthusiast?
Anybody that watches Jeff McBride The Art of Card Manipulation will see how I researched all of the old school material and the stuff that I'd learned in my generation, and put it all together in one place. Those are the videos that the Buck twins - Dave and Dan - saw. Many of the people that first started card manipulation and cardistry saw me on those World's Greatest Magic specials back in the '90s that were filmed at Caesar's Palace. This was one of the first modern versions of card manipulation on TV.
So I think my series on The Art of Card Manipulation imprinted a lot of young magicians, young card handlers, and then the cardistry movement. I was not singularly responsible for that, but The Art of Card Manipulation was definitely essential fuel for it, because it was the most comprehensive card manipulation series ever put out.

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What advice would you give to a young person just starting to learn card magic or card manipulation?
Learn from your pals, but study in person with a great master. It will shave years off your learning curve.
Do you have any thoughts about the current boom in cardistry, and how this has become immensely popular in recent years?
The deck of cards is a great equalizer, isn't it? Here you have 52 objects, and now all you have to do is add your creativity and countless hours of practice and commitment to perfection. It's not like you can buy it. Acquiring the next magic illusion is quite different than acquiring the next impossible flourish with cards. You just can't do it, it has to come from the heart and soul. That's why I think cardistry became such a phenomenon. It doesn't have any language barriers, cultural barriers, or status barriers. All that separates one from being average or great is the commitment to perfection, artistry, and beauty.
What brand/type playing cards did you first use when you started magic and card manipulation?
I used every card I could get my hands on. There were bridge-size decks for card fanning that would have four different colors or four different patterns, so you could get the different color fans out of them. Really good fanning decks are sorely lacking today; I very rarely see any of these new decks being good fanning decks. But I would collect every thin card I could possibly find at that time. Very few people at that time were making flesh colored cards. Sometimes you had to strip cards down, and then paint them flesh colored, and use lots of powder to make them fan again.
Early on I used Crusaders, because in my teens that's what Jeff Sheridan was using, so I used Crusaders that you could get at Woolworth's. Bee cards are okay, but when they reach a certain age they just crack. A lot of the `old school' used and swore by the old Denver Plaids and the old Steamboats. So when I was in my tens and early teens (11-15 years old), there was a lot of Steamboats, and in my later teens I used Crusaders.
What brand/type playing cards do you mostly use today?
I switched over to my own brand, when I had my own cards printed by Phoenix (my cards are available on my site here). Phoenix really pays attention to their cutting and I'm very fond of Phoenix brand cards published by Christian Schenk from Card-Shark.
What do you think are the essential qualities of a good deck of playing cards?
The ability to fan them out of the pack, and their ability to faro shuffle. Those are the two prime ingredients. That they don't need fanning powder. That they're not too slippery, so you don't have to work with them too long to get the finish off, and that they faro well. I'm mostly a stage performer, and I do close up as well. I love some of the decks that you have, with the very whimsical face designs. But for me it's the way the cards handle more than the way they look.
Has the quality of playing cards has improved over the years?
Oh, absolutely. Absolutely the quality has improved over the years. The finishes these days and the deck designs are just incredible.

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What are your thoughts on the explosion of custom playing cards that we are seeing today?
For me personally, I don't see enough nice fanning decks. I would collect them, but they're not out there.
I think the next step for card collectors is: how do you store and display them? The serious person will start to make floor to ceiling displays for walls of cards with a giant ladder, like a library so you can have these decks on display. I've seen some people have little wall panels that will hold 20 decks or so, but how about something like a turning rack, like the racks for displaying CDs or a turning poster rack? If somebody could come up with some sort of system.
And now we have some place to display them and take them out, then the great question is: do I take them out of the box, or are they just sealed? Or do I always have to buy two decks - one to play with, one to keep sealed? I see people doing both.
However I have yet to see a really beautiful card collection display that goes beyond `decks in a drawer', or `decks on a wall', or `decks on a tabletop'. If you consider these cards art (and they are - the back designs and the front designs are art), how do you display this art? How do you put it in a frame, and how do you appreciate it? Do you put it in a shoebox and say "Here's my card collection"? Do you have it in a little wall display of 20 decks and say "Here are my 20 decks"?
What impact has crowdfunding like Kickstarter had on the custom playing card industry and collecting?
People feel part of the creation, and feel like they can be patrons of the art. It's like: "Oh, I can be part of this, I can be part of this creative process, I can be a co-collaborator." So that's a good thing that I'll say about it. People support what they help create, and people feel like they're helping create art. I think we need more people that are patrons of the arts. And playing cards is a very good way to share your wealth, and support other people's creative enterprises.
Do you recommend performing magicians get their own branded custom deck of playing cards?
Absolutely. But it depends on what impression you want to make. Some people like to use regular cards because they look very normal. I use my own cards because they're very special, and they have my name on them. If somebody looks at my cards, they'll say, "Wow, Jeff has his own brand of playing cards, he must be very good." You can drive a car, but you can design and manufacture your own car. Who do you deem more magical? Probably the person that's designed their own car.
And when I throw my cards into the audience, it's not the end of my show. It's the beginning of an adventure, because on the back the card it says: "Every card has a special meaning. To discover this card's secret, you have to go to my website." So now they have to go on this mysterious quest to find out the meaning of their card. It's a tarot information site. And when they get to my website after they catch one of my special cards, now they have an opportunity to pick an email address of a friend, and throw that card around the world to them. So I'm continuing the tradition that got me into magic; I'm throwing a card out and saying, "Here, pick this card." And they pick up that card in the audience, and hopefully it will take them on a magical adventure for the rest of their lives.
How many decks or cards have I gone through throughout the years? Tens of thousands. I go through at least two decks a show, for tens of thousands of shows.
Do you personally collect playing cards?
I'm not manic about it, but I collect good fanning decks. If a particular design of a more standard deck hits my radar, I'll pick it up. I like some of your decks, they're very beautiful.
Sometimes it's the box - it makes a statement. Sometimes the card box is the tuxedo for the cards. So the card box in my opinion has a lot to do with matching the performer's style and creating an aesthetic for the magical performance.
And it's even how you take the cards out of the box. If you read Roberto Giobbi's books, he's got very special ideas on how to remove the cards from the box, and how the box is put away. The Dean of the Mystery School teaches what he feels is the proper way to present a pack of cards out of your pocket, remove it from the deck gracefully, and place the box away. There are more refined ways to present a deck of cards to people than just tossing a box of cards on the table.
A deck of cards is a wonderful, mysterious, enchanting object. Fortunes are won and lost, and lives have come and gone on the turn of a single playing card. I live in Las Vegas, which is a town that was built on playing cards, divination systems, dice, and spinning wheels of fortune. Cards have an incredibly deep history and connection to mystery, and they're inherently very mysterious. So it's no wonder how people are attracted to their many different manifestations these days, whether it's a special box, or a back design, or a limited edition.

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Do you use playing cards for anything besides card magic and card manipulation?
I give very extensive workshops on the history of Tarot. We have an extraordinary collection of Tarot decks here, and also Tarot books. We also collected the greatest Tarot teachers from around the world to come and teach every year at the Las Vegas Tarot Summit.
Is there anything else you'd like to share?
I did an entire performance based on two cards. I did an off-Broadway show called Mask of the Mystic, and it was about two playing cards: the Magician card and the Fool card of the Tarot. I had originally designed an entire show around the Major Arcana of the Tarot cards back in the '80s, with a performance piece for each and every card. But the show was so dense with symbolism and meaning and complex, that I decided to keep it to just the first two cards. I played the Magician card, and a juggler named Michael Marlon played the Fool card, the innocent. There was a great dynamic between a trickster and an all too serious mage wizard character, and it was about the relationship between being blissfully ignorant, and being overly-fixated on the symbolism and meaning of magic.
That really sums up the experience with playing cards. Playing cards can be used for gambling. They can be used as a pastime to pass the time and play solitaire. They can be used for card magic. They can be used for cardistry. And for me, a deck of playing cards is a magic carpet that has taken me all over the world and has introduced me to incredible experiences, taken me to incredible places, and introduced me to all of the people I love most dearly in life.
So whether you're a fool just beginning your journey through the playing card story, or if you're at the end of your story as a wizard counting down your days, remember that there is a deck of playing cards - and perhaps a single playing card - that can change a person's life. So next time a person says "Pick a card," remember that this moment can change a life forever.

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CONCLUSION
It takes a lot for the Society of American Magicians to vote you into their Hall of Fame, especially when you're still active performing and teaching. Jeff McBride is one of the few in the world who can lay claim to being part of that select group.
Jeff is first and foremost a performer with a love for entertaining people, and the unique combination of elements that helps make his stage act stand out from other performers will always be a memorable trademark style that people associate with his name. But perhaps his lasting legacy will be the new role he has taken on as a sage and mentor to others. His Magic & Mystery School has been instrumental in producing new magicians who will continue to entertain us in years to come.
With this interview we've had a wonderful opportunity to have a glimpse of his thinking and learn about some of his experiences. Thank you Mr McBride for all that you've given to magic! May this inspire all of us to turn that pack of playing cards in our hands as a tool to develop our own skills, and to share our love for the arts with those around us!
Where to learn more? Check out Jeff McBride's resources here: - McBride Magic: Official site, promo video - Performance videos: Fool Us (2017), Masters of Illusion (2009), Masters of Illusion (2017) - Card manipulation: "Shaman Cards" performance, "King of Cards" performance - Magic & Mystery School: Official site, shop, Facebook - Social media: Facebook, Twitter, Instagram, Youtube - Teaching resources: MagicFlix (code: MCBRIDE), Art of Card Manipulation DVDs, Essential Card Manipulation video

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Author's note: I first published this article at PlayingCardDecks here.
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Can you help me work on these villains?

If the name Zinralei Lorawyn means anything to you, turn back! This post will be full of spoilers for you.

My party will soon be hunting down an elusive, criminal mastermind (Think Wilson Fisk from Daredevil or Professor Moriarty from Sherlock Holmes). First, however, they have to deal with his leutenants. I know I want each of them to be an opposite to one of my PCs, kind of their antithesis in some way, but I struggle to come up with unique, colorful abilities and skills they could have.
Right now I have:
Champion and owner of the fighting rings, motto "There ain't a spirit I can't break" - an opposite to our party's revised Ranger (Hunter), who loves any kind of animals. Trainer is the one responsible for building up the organisation's muscle, which he does by observing and training people fighting in his events and by breeding all kinds of animals and teaching them cruelty and obeying his orders and his orders alone. I know that I want him to be a very competent fist-fighter, but I can't think of anything more that would suit him.

Cult leader, motto "People are sheeps, and religion is the best tool to control them" - an opposite to our party's Bahamut cleric of Life. She is responsible for growing the web of organisation's influence on the widest scale, using her followers to gather information, sabotage, infiltrate and spy for her, all because "your god wants that, and you'll be rewarded by him." I don't want her to have any cleric spellcasting, actually, since she doesn't believe a word she's preaching to the masses. She's fighting with speabow combination, is really agile and manipulative - and that's kinda it for me right now.

Influential noble, motto "You are either a servant or a master. I'm the latter, and I won't let anyone ever forget that" - an opposite to our party's noble-gunslinger. This young lady hasn't worked a day in her life and she intends for it to stay that way. She loves parties, banquets, balls, social events and other pleasantries of nobility, and she uses them to gather information and support of other nobles, be it by flirting, blackmailing, eavesdropping or whatever means necessary. I suppose her bodyguards will be a lot more serious threat than her, but she's still semi-capable wizard/bard in her own right. I'd love to have some signature abilities unique to her, however.

High-rank government official, motto "Everyone will obey the law - and the law will obey me" - an opposite to our party's paladin, who used to serve in city watch, but left after seeing its corruption. He's an inside man for the BBEG, watching every move of the government and doing whatever's necessary to prevent them from ever becoming a tangible threat to his boss. He's the main reason why the city's officialls never achieved any serious victories against criminal network. He threatens, blackmails, orders an assassination if necessary. He's the warlock of Fraz'Urbluu, focusing heavily on mind-affecting/spying spells.

Casinos/brothels/drug dens owner, motto "Business is business, and everything is business" - an opposite to our party's sorceress, who used to work in one of the brothels of the city. He lives by the saying that everything has a price and has yet to be proved otherwise. He's the main money-maker of the organisation, orchestrating and managing his networks of guilty-pleasure locals all over the city. He's also responsible for bribing and working with middle-level citizens. City guard captain? Harbour master? Guild leader? They're all in his pocket - or they'll soon be. I struggle with him the most, because I really can't picture him standing his own in combat - he's too busy for that. He's a tiefling, however, so maybe some warlocky-roguish fighting style would be appropriate?

Alchemist, motto "Science is all that matters! I must learn more... and more... and you'll help me with it, willingly or not" - an opposite to our party's rogue, who loves to tinker and invent all kinds of small, useful mechanisms. The alchemist is responsible for supplying the city with all kinds of drugs and other high-value products, but also for keeping the organisation well-prepared to face any possible threat. He's the main scientist and producer of potions, traps, gunpowder, mechanical devices and other sophisticated tools for the rest of leutenants to use. I guess he would be some kind of artificer, but I'd want him to have few tricks of his own design up his sleeve.

Socialite, motto "Party hard, all day and all night! Oh, and spill some secrets while partying, pretty please?" - an opposite to our party's wizard, who loves entertainment, parties and having fun. This incubus is the ultimate rumour and information gatherer. If there's anything to know all over city, no matter how important or unsignificant, you can bet he's the first person to know about it. Donning whoever's face necessary, he navigates social circles of the city, dancing at the prince's birthday party at midday and drinking sailors under the table few hours later. He's a real master of disguises, and will probably be the most tricky for party to find - but one he's found, I can't think of anything he could do than your typical run-of-the-mill incubus couldn't - and he for sure isn't your typical incubus.

I'm sorry for how much info I threw at you right now, but this arc is the one where party starts working with really big fish, and it's important to both one PC's backstory and the overall plot of the campaign, so I want to make it as memorable as I possibly can. If you can think of any flavorful, interesting, unique or simply fun abilities/skills/tools one of these NPCs could use against the party or even anything that expands their charactebackstory in unexpected way, I'd be really grateful for your insights!
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Interview with card manipulator Jeff McBride

Interview with card manipulator Jeff McBride
WHO IS JEFF MCBRIDE?
Chances are you are reading this article because you already have some interest in playing cards. So maybe you've already heard of the name Jeff McBride. If you have, you'll already be familiar with his credentials, so you'll be itching to get straight the good stuff and read what he's got to say, because you know it's going to be worth reading.
But if you haven't heard of Jeff McBride before, let me tell you why this interview is a must-read: ● Are you into card magic? Jeff has been doing card magic his whole life, and is one of the very best in the world at card manipulation and sleight of hand. He has also been running his famous Magic & Mystery School for over 30 years. ● Are you into cardistry? Jeff's instructional Art of Card Manipulation videos were some of the foundational materials that shaped fathers of the cardistry movement like Dan and Dave Buck. Card manipulation is his speciality, and if there's anyone that we can learn a thing or two about card handling from, it's him. ● Are you into card collecting? Jeff's entire career has been built with a deck of cards in his hands, and he also collects some playing card memorabilia himself.
So if you are a playing card enthusiast in any way, this is a wonderful opportunity to learn from one of the greatest living card men. We were delighted when Jeff agreed to do this interview with us, and couldn't wait to hear some of his thoughts about various topics relating to his own career with playing cards. We even got opportunity to visit him at his own place, and take some photos of his memorabilia and more, which we have permission to show our readers for the first time! But first let's share some of his credentials, so that we can appreciate what he has to say in the context of his own accomplishments and achievements.

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Jeff McBride the Performer
Jeff McBride has had a love for magic that goes back to his childhood in New York's Catskill mountains, where he grew up. As a young boy he stumbled across The Golden Book of Magic in a library, which quickly became his first magic Bible. He performed gigs locally, did street performances, and eventually moved to Las Vegas, where he successfully built a career in magic, and performs his award-winning stage magic and runs a magic school.
His performance style is highly praised for its unique blend of traditional magic with a form of Japanese theater called kabuki. Drawing on an unusual mix of skills that includes martial arts, philosophy, and more, Jeff's stage act combines an unorthodox blend of sleight of hand with masks and mime, to create a unique show like no other. Besides his "home" stage in Las Vegas, he's performed on stages and in theaters around the world, including touring with The Illusionists. A Jeff McBride show never fails to showcase his dynamic, innovative, and creative personality, from someone who has proven himself over time to be a master entertainer, showman, and sleight-of-hand artist.
Jeff McBride's list of awards is too lengthy to cover all of them. But to mention just a few, he's received recognition from exclusive and respected organizations, including "Magician of the Year" by The Magic Castle's The Academy of Magic Arts and "Magician of the Year" by the Society of American Magicians. In 2018 the International F?d?ration Internationale des Societes Magiques (FISM) gave him their "Theory & Philosophy Special Award", in tribute for his lifetime contribution to magic from a viewpoint that is analytical and academic. This illustrious award has previously been given only to Tommy Wonder, Juan Tamariz, Eugene Burger, and Roberto Giobbi. Most recently in January 2020 he was inducted into the prestigious Hall of Fame by the Society of American Magicians. He is part of a very small group of living magicians that are part of this exclusive club, which includes David Copperfield and Siegfried and Roy. He's even the holder of three world records - don't worry, we'll be sure to ask him about that in our interview!
And of course he has appeared on television many times, already back in 1995 as part of the "World's Greatest Magic, and more recently on shows like Masters of Illusion, Criss Angel's Mindfreak, and Penn & Teller's Fool Us. But he's not just "another magician", as his selection as a judge for the 2008 reality celebrity-magic show Celebradabra confirms. Already more than ten years ago filmmakers produced a documentary about him, entitled Jeff McBride: A Magickal Life. This has been highly praised by magicians and viewers for how it shows his journey from a boy magician to a headline act in Las Vegas, and also his personal spiritual journey and development from a brash young man into a mature and caring magician who is keen to pass on the art of magic to the next generation. He really is one of the best.
Jeff McBride the Teacher
While the first part of his career was all about performing in his inimitable style, as the years have passed Jeff McBride has more and more mellowed into a highly respected teacher, with a keen interest in sharing his wisdom with others, and helping young magicians develop their skills in magic. Besides many written works, he's produced best-selling and highly influential instructional videos on the art of card manipulation, and on stage magic. His current passion is to serve as a sage that helps other magicians make their dreams as performers come true.
Perhaps his crowning achievement and lasting legacy is the McBride Magic & Mystery School, which he established in 1991. This is a world-renowned training ground for stage magic, and is generally regarded as the very best and most prestigious institution in the world for receiving magic instruction. There's simply no better place for aspiring magicians to go, in order to take seminars, classes, and workshops, to help raise their magic to a higher level, and to learn the true secrets of the craft.
Highly respected magician and lecturer Eugene Burger (pictured below with Jeff McBride) served as Dean of this school until his sad passing in 2017. It was from him that Jeff learned the importance of burning one end of your own candle in order to light someone else's candle. Many leading magicians have served on the faculty or as guest instructors, including big names like Lance Burton, Johnny Thompson, and Max Maven.
Jeff McBride is a wonderful entertainer himself, but his current passion is to be a mentor to others, and he will leave a lasting stamp in the lives of many magicians of the future. But now it's time for us to sit at his feet, and learn a thing or two from his life, and about his experiences with playing cards in particular.

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THE INTERVIEW
GENERAL BACKGROUND
For those who don't know anything about you, what can you tell us about yourself and your background?
I started my career with a pack of playing cards. Now I headline Las Vegas shows, and theaters and festivals all over the world. I also run a very successful magic school in Las Vegas, and I teach online.
I am one of the first magic teachers to create a video series, and my breakthrough videos on card manipulation taught the world how to perform flourishes and card manipulation, which happened to grow into a new cardistry movement. I was fortunate enough to train with great old-school masters and I put out The Art of Card Manipulation which caught on in Asia. The material contained within those DVDs - they were VHS videos at that time - did not need words to understand how to perform the magic, so they had international appeal. Many people like An Ha Lim and leading Asian manipulators found these, and my videos were their original training tools.
What would be some of the highlights in your career in magic?
Performing at Radio City Music Hall, the largest theater in the world with no screen support, no image magnification, and performing my card manipulation routine. The only other person that had that experience was Cardini. That was one of the highlights.
And of course, being inducted into the Society of American Magicians Hall of Fame. Also winning the FISM Special Award for Theory and Philosophy was a highlight. That's an award I share with Tommy Wonder, Juan Tamariz, and Eugene Burger.
How would you describe the style of the amazing act that you are known for?
I call it "sorcerer" style, which is very fiery and dynamic. There are many types of card routines, and mine is very explosive and dynamic. In fact during my touring seasons with the hit show The Illusionists, the closing number of the show was my card routine, just before the snow storm sequence. So my card routine can fill a giant theater. At that time of The Illusionists we were working a 7,000 seat theater. So my motto was "pack small, play big."
What were your major influences for this style of performance?
My influences came from many directions. I realized early on that performing standard magic was not a path to success. It was a path to working weddings, bar mitzvahs and birthday parties. In order to break out, I had to become a much more dynamic performer and I added other skillsets I had studied, like classic pantomime theater, which I'd studied at the American Mime Theater. I combined martial arts and my passion for masks and quick change, and dance. And it was this fusion of all of these different theatrical elements that made a huge difference. It was much more than magic, it was a total theatrical experience.
Where can people go to see you perform today?
I teach magic on a platform called MagicFlix. There's performances and tutorials. It's the world's leading streaming platform for magic. So you can immediately see me there. If you want to trial it, all you have to do is go to MagicFlix's website, enter your information, and put in the code MCBRIDE, and you can get 30 days for free. You can see not only myself, but the great masters of magic, and some of the great card magicians in history, as well as learn my card manipulation sequences.
Also if you want to see my live shows, I perform in Las Vegas at Wonderground, which is the longest running independent variety magic show in the history of Las Vegas. It is not attached to a casino, so we can do some pretty wild stuff! That's been running 11 years, and has hosted more variety entertainers on its stage than any other stage in Las Vegas.
What should we know about the McBride Magic & Mystery School, which has now been running for around 30 years?
It's now over 30 years. The McBride Magic and Mystery School came out of a great desire to study with masters. The challenge I see these days is that most people are learning magic from their peers, from people in their own age group. And not necessarily looking up the ladder at masters that have achieved great amounts of success.
So what I did 30 years ago, is I decided to host a retreat for masters to come and teach hungry students, mostly professionals, that were willing to empty their cup and fill up on wisdom and on the experience of great masters. And over the years we've had Eugene Burger, Johnny Thompson, Max Maven and many, many other masters come to the school to help our students understand the path to mastery. So not just learning from your pals online or at magic class, but really top-down training from experts in the field.
What are some of your interests outside of magic?
I spend a lot of time going to other conferences learning more skills on how to facilitate life-transforming experiences. So I spend a lot of time still studying how to teach more effectively, both in person and online.

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PLAYING CARDS & CARD MANIPULATION
You have set several Guinness World Records. What can you tell us about these?
I have three Guinness World Records, two of them for coin rolling, and one of them for card spinning. My Guinness World Record certificate states that I was able to "single handedly spin or scale a record of 106 playing cards within 60 seconds." That was set in 2004 for speed, for card throwing.
You are known for your skill in card manipulation. How would you distinguish magic from cardistry?
When they're fused together, they're indistinguishable, because of the flow state. Here are some flourishes, here are some card tricks - I think it can be seamlessly blended together. When I watch young cardists out there, I'm just amazed by the things that I see them doing these days. I'm totally delighted, and it's magical for me. Magicians that call cardistry "juggling" are just not getting what it's about. It's about entering a flow state, mastering these series of moves, and then pushing the envelope, until you have many of these different flourishes that you can string together seamlessly. That's the elegance of it.
What is one piece of work you have released that you'd like to be remembered by, or which might be of interest to the playing card enthusiast?
Anybody that watches Jeff McBride The Art of Card Manipulation will see how I researched all of the old school material and the stuff that I'd learned in my generation, and put it all together in one place. Those are the videos that the Buck twins - Dave and Dan - saw. Many of the people that first started card manipulation and cardistry saw me on those World's Greatest Magic specials back in the '90s that were filmed at Caesar's Palace. This was one of the first modern versions of card manipulation on TV.
So I think my series on The Art of Card Manipulation imprinted a lot of young magicians, young card handlers, and then the cardistry movement. I was not singularly responsible for that, but The Art of Card Manipulation was definitely essential fuel for it, because it was the most comprehensive card manipulation series ever put out.

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What advice would you give to a young person just starting to learn card magic or card manipulation?
Learn from your pals, but study in person with a great master. It will shave years off your learning curve.
Do you have any thoughts about the current boom in cardistry, and how this has become immensely popular in recent years?
The deck of cards is a great equalizer, isn't it? Here you have 52 objects, and now all you have to do is add your creativity and countless hours of practice and commitment to perfection. It's not like you can buy it. Acquiring the next magic illusion is quite different than acquiring the next impossible flourish with cards. You just can't do it, it has to come from the heart and soul. That's why I think cardistry became such a phenomenon. It doesn't have any language barriers, cultural barriers, or status barriers. All that separates one from being average or great is the commitment to perfection, artistry, and beauty.
What brand/type playing cards did you first use when you started magic and card manipulation?
I used every card I could get my hands on. There were bridge-size decks for card fanning that would have four different colors or four different patterns, so you could get the different color fans out of them. Really good fanning decks are sorely lacking today; I very rarely see any of these new decks being good fanning decks. But I would collect every thin card I could possibly find at that time. Very few people at that time were making flesh colored cards. Sometimes you had to strip cards down, and then paint them flesh colored, and use lots of powder to make them fan again.
Early on I used Crusaders, because in my teens that's what Jeff Sheridan was using, so I used Crusaders that you could get at Woolworth's. Bee cards are okay, but when they reach a certain age they just crack. A lot of the `old school' used and swore by the old Denver Plaids and the old Steamboats. So when I was in my tens and early teens (11-15 years old), there was a lot of Steamboats, and in my later teens I used Crusaders.
What brand/type playing cards do you mostly use today?
I switched over to my own brand, when I had my own cards printed by Phoenix (my cards are available on my site here). Phoenix really pays attention to their cutting and I'm very fond of Phoenix brand cards published by Christian Schenk from Card-Shark.
What do you think are the essential qualities of a good deck of playing cards?
The ability to fan them out of the pack, and their ability to faro shuffle. Those are the two prime ingredients. That they don't need fanning powder. That they're not too slippery, so you don't have to work with them too long to get the finish off, and that they faro well. I'm mostly a stage performer, and I do close up as well. I love some of the decks that you have, with the very whimsical face designs. But for me it's the way the cards handle more than the way they look.
Has the quality of playing cards has improved over the years?
Oh, absolutely. Absolutely the quality has improved over the years. The finishes these days and the deck designs are just incredible.

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What are your thoughts on the explosion of custom playing cards that we are seeing today?
For me personally, I don't see enough nice fanning decks. I would collect them, but they're not out there.
I think the next step for card collectors is: how do you store and display them? The serious person will start to make floor to ceiling displays for walls of cards with a giant ladder, like a library so you can have these decks on display. I've seen some people have little wall panels that will hold 20 decks or so, but how about something like a turning rack, like the racks for displaying CDs or a turning poster rack? If somebody could come up with some sort of system.
And now we have some place to display them and take them out, then the great question is: do I take them out of the box, or are they just sealed? Or do I always have to buy two decks - one to play with, one to keep sealed? I see people doing both.
However I have yet to see a really beautiful card collection display that goes beyond `decks in a drawer', or `decks on a wall', or `decks on a tabletop'. If you consider these cards art (and they are - the back designs and the front designs are art), how do you display this art? How do you put it in a frame, and how do you appreciate it? Do you put it in a shoebox and say "Here's my card collection"? Do you have it in a little wall display of 20 decks and say "Here are my 20 decks"?
What impact has crowdfunding like Kickstarter had on the custom playing card industry and collecting?
People feel part of the creation, and feel like they can be patrons of the art. It's like: "Oh, I can be part of this, I can be part of this creative process, I can be a co-collaborator." So that's a good thing that I'll say about it. People support what they help create, and people feel like they're helping create art. I think we need more people that are patrons of the arts. And playing cards is a very good way to share your wealth, and support other people's creative enterprises.
Do you recommend performing magicians get their own branded custom deck of playing cards?
Absolutely. But it depends on what impression you want to make. Some people like to use regular cards because they look very normal. I use my own cards because they're very special, and they have my name on them. If somebody looks at my cards, they'll say, "Wow, Jeff has his own brand of playing cards, he must be very good." You can drive a car, but you can design and manufacture your own car. Who do you deem more magical? Probably the person that's designed their own car.
And when I throw my cards into the audience, it's not the end of my show. It's the beginning of an adventure, because on the back the card it says: "Every card has a special meaning. To discover this card's secret, you have to go to my website." So now they have to go on this mysterious quest to find out the meaning of their card. It's a tarot information site. And when they get to my website after they catch one of my special cards, now they have an opportunity to pick an email address of a friend, and throw that card around the world to them. So I'm continuing the tradition that got me into magic; I'm throwing a card out and saying, "Here, pick this card." And they pick up that card in the audience, and hopefully it will take them on a magical adventure for the rest of their lives.
How many decks or cards have I gone through throughout the years? Tens of thousands. I go through at least two decks a show, for tens of thousands of shows.
Do you personally collect playing cards?
I'm not manic about it, but I collect good fanning decks. If a particular design of a more standard deck hits my radar, I'll pick it up. I like some of your decks, they're very beautiful.
Sometimes it's the box - it makes a statement. Sometimes the card box is the tuxedo for the cards. So the card box in my opinion has a lot to do with matching the performer's style and creating an aesthetic for the magical performance.
And it's even how you take the cards out of the box. If you read Roberto Giobbi's books, he's got very special ideas on how to remove the cards from the box, and how the box is put away. The Dean of the Mystery School teaches what he feels is the proper way to present a pack of cards out of your pocket, remove it from the deck gracefully, and place the box away. There are more refined ways to present a deck of cards to people than just tossing a box of cards on the table.
A deck of cards is a wonderful, mysterious, enchanting object. Fortunes are won and lost, and lives have come and gone on the turn of a single playing card. I live in Las Vegas, which is a town that was built on playing cards, divination systems, dice, and spinning wheels of fortune. Cards have an incredibly deep history and connection to mystery, and they're inherently very mysterious. So it's no wonder how people are attracted to their many different manifestations these days, whether it's a special box, or a back design, or a limited edition.

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Do you use playing cards for anything besides card magic and card manipulation?
I give very extensive workshops on the history of Tarot. We have an extraordinary collection of Tarot decks here, and also Tarot books. We also collected the greatest Tarot teachers from around the world to come and teach every year at the Las Vegas Tarot Summit.
Is there anything else you'd like to share?
I did an entire performance based on two cards. I did an off-Broadway show called Mask of the Mystic, and it was about two playing cards: the Magician card and the Fool card of the Tarot. I had originally designed an entire show around the Major Arcana of the Tarot cards back in the '80s, with a performance piece for each and every card. But the show was so dense with symbolism and meaning and complex, that I decided to keep it to just the first two cards. I played the Magician card, and a juggler named Michael Marlon played the Fool card, the innocent. There was a great dynamic between a trickster and an all too serious mage wizard character, and it was about the relationship between being blissfully ignorant, and being overly-fixated on the symbolism and meaning of magic.
That really sums up the experience with playing cards. Playing cards can be used for gambling. They can be used as a pastime to pass the time and play solitaire. They can be used for card magic. They can be used for cardistry. And for me, a deck of playing cards is a magic carpet that has taken me all over the world and has introduced me to incredible experiences, taken me to incredible places, and introduced me to all of the people I love most dearly in life.
So whether you're a fool just beginning your journey through the playing card story, or if you're at the end of your story as a wizard counting down your days, remember that there is a deck of playing cards - and perhaps a single playing card - that can change a person's life. So next time a person says "Pick a card," remember that this moment can change a life forever.

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CONCLUSION
It takes a lot for the Society of American Magicians to vote you into their Hall of Fame, especially when you're still active performing and teaching. Jeff McBride is one of the few in the world who can lay claim to being part of that select group.
Jeff is first and foremost a performer with a love for entertaining people, and the unique combination of elements that helps make his stage act stand out from other performers will always be a memorable trademark style that people associate with his name. But perhaps his lasting legacy will be the new role he has taken on as a sage and mentor to others. His Magic & Mystery School has been instrumental in producing new magicians who will continue to entertain us in years to come.
With this interview we've had a wonderful opportunity to have a glimpse of his thinking and learn about some of his experiences. Thank you Mr McBride for all that you've given to magic! May this inspire all of us to turn that pack of playing cards in our hands as a tool to develop our own skills, and to share our love for the arts with those around us!
Where to learn more? Check out Jeff McBride's resources here: - McBride Magic: Official site, promo video - Performance videos: Fool Us (2017), Masters of Illusion (2009), Masters of Illusion (2017) - Card manipulation: "Shaman Cards" performance, "King of Cards" performance - Magic & Mystery School: Official site, shop, Facebook - Social media: Facebook, Twitter, Instagram, Youtube - Teaching resources: MagicFlix (code: MCBRIDE), Art of Card Manipulation DVDs, Essential Card Manipulation video

https://preview.redd.it/sl52au4wl8751.jpg?width=500&format=pjpg&auto=webp&s=be11a4655fe8e9f421594afdb3eed777a1e44fe7
Author's note: I first published this article at PlayingCardDecks here.
submitted by EndersGame_Reviewer to cardistry [link] [comments]

Alright, I think I got my villains and allies down based off of songs.

Villains: Mo Chi - A ratfolk monk sensei who is harsh and strict to his students, teaching with harsh discipline and notorious for murdering rivals. (Based off of Kung Fu Fighting by Carl Douglas.)
Lemuel Crowley - Owner and operator of the Devil's Grin Casino, a large and broad shouldered mustachioed half-orc who is a gunslinger and cleric of Mammon, Hell's Treasurer itself. His motto is 'Take the money and run.' (Based off Take The Money and Run by The Steve Miller Band.)
Richard and Jane Alderic - Richard is a noble with a dark secret, he had murdered a young girl named Jane who had risen from the dead and in turn murdered him, but it was soon revealed that he was a Lich. The two had agreed to work with one another and steal life, Richard also affectionately calls her 'his little piece of heaven'. (Based off of A Little Piece of Heaven by Avenged Sevenfold.)
Wyn - An ex paladin and cleric of the Creation domain, Wyn has devoted his life to now destroying the creations he once worshiped with his own deadly creation, a machination of steel and magic, tearing through ditches and burning people calls witches. (Based off of Dragula by Rob Zombie.)
Lyra Cromwell - An ex military commander who was commended for her service, Lyra has been afflicted by an evil curse that has turned her completely and insane, murdering anyone who stands in front of her. (Based off of Queen's Stone Cold Crazy.)
Allies:
Reynold Jameson Dio - A valiant warrior and tall man, this human Skald is famous for his many ballads about heroics and holy divers (Based off of Ronnie James Dio)
The Guardian Of Metal - This long raven haired man with dark red spectacles, with a body infused with hellfire and affinity for bats, The Guardian Of Metal is a key ally for the party in the beginning and end of all. (Based off of Ozzy Osbourne.)

That's all I have so far, feel free to suggest ideas.
submitted by DracoSparda26 to Pathfinder_RPG [link] [comments]

JP Summer 2019 Story according to someone who can't read! HIMEJI-Casino IN COLOR

------------------------
Disclaimer
The following is the interpretation of a story in Japanese by a man who can't read Japanese, it merely made for comedic purposes and does not reflect the actual writing of the original story.

----------------------------

HIMEJI Casino
The chapter opens with our NEET-Princess monologing in a game of ~~PUBG~~ ~~Fortnite~~ ~~APEX Legends~~, just whatever battle royale game you guys like the most. Type-moon being type-moon I can only assume she is rambling on something about survival of the fittest or some other philosophy, also don’t mind the [kiyo in the background, she’s not actually there]( https://i.imgur.com/pjTocoL.png), I’ll get to her in a bit.

The scene switches back to our protagonists, heading towards Casino HIMEJI, we speculate that it’s probably Okki and I am thoroughly surprised that her casino isn’t the Castle JANGATM we all know and love. There is nothing out of the ordinary, there’s slots, roulette, poker but for some reason there’s hanafuda (which is basically the Japanese version of playing cards, google it). Enter, King of the Jungle, [Jaguarman (Tiger) and OG Illya]( https://i.imgur.com/PptSh4F.png), Tiger gets hyped at the sight of the hanafuda cards and challenges Illya. Illya feels obliged to see who is the better goddess and the two end up duelling, I can only assume the duel went like this, https://youtu.be/OSqkRU8V2iA?t=176. Mashu questions why there are servants who aren’t in swimsuits here but Siegfried ain’t got time to answer that so we shall promptly ignore Mashu. There we spot [a line to enter the battle royale]( https://i.imgur.com/W945KJH.png) and ask for Okki however… [You were expecting Okki but it was me KIYOHIME.]( https://i.imgur.com/k7cbLUO.jpg)

[CHOICE:]( https://i.imgur.com/TpTNr0J.png)

[Say nothing due to PTSD from first summer event/ Valentine/ just general Kiyo things.]

[Morning, any progress yet? (I can only assume that this is throwing some shade at her lack of character development)]

[Kiyohime SHOCK~.](https://i.imgur.com/HuKf6fS.png) But she recovers and calls you a tease and she likes it like that. [So, no progress.](https://i.imgur.com/xUbpA8M.png) Time to move the plot along, Kiyo askes us if we’re taking part in the event, which we are and question what Kiyo is doing here. It turns out Okki and Kiyo were running this casino together but then Okki being the NEET she is, refused to work and decided to have fun instead.

Scene switches to an on-going match, where a bunch of assorted mobs get owned by the best team at the moment. Enter ~~Team Liquid~~, Osakabehime, Anne Bonny, Black Beard and Mecha Eli MK2. They effortlessly win and [hi-fives]( https://i.imgur.com/XsSzz2G.png) and [weird handshakes]( https://i.imgur.com/bbSCkWP.png) all around, Mecha Eli complains that she didn’t even get to participate, Okki assures her by saying that she’s basically like the last boss for their team.

So long story short in exchange for bringing Okki back (dead or alive, but alive is preferable) we get the event item which lets us progress the story, however we lack the necessary member to participate and I quote, [‘Mashu and Master are a bit too heavy to carry’.]( https://i.imgur.com/6DEZfPY.png) Wow Musashi, just wow. But it’s true, we do need someone to carry this team of scrubs. Enter, [~~Fabulous~~ Mysterious Onii-san.]( https://i.imgur.com/pgXaS05.png) He comes in with a Hawaiian mood but he is a year too late, so in order to make up for lost time he has decided ‘gift’ us a free stay at GILDALAY Hotel… for free of course…

Also, [“Hello Children.”]( https://i.imgur.com/ZNSar0U.png) This man could not get any shadier, if he was in a van and was handing out candy, I would totally jump in the van, no lie.

We head over to the hotel to be greeted by, ~~gorgeous P~~ Gilgamesh (caster) and we ask him [where d’eon (DW, maid outfit, when?!?) and the queen of Sheba are.]( https://i.imgur.com/tV7XvzL.png) It appears that d’eon is working at a casino (bunny d’eon hint?) and the queen has gone into the casino business instead, leaving our casgil understaffed. He did attempt to hire some fresh hands but the results were… flashbacks to, [‘I HAVE NO IDEA WHAT THIS JOB ENTAILS BUT I WANT IN!’]( https://i.imgur.com/KrMCdYK.png), [‘Heard you need a diva.’]( https://i.imgur.com/1ebQhIc.png) And [‘I charge 1 carrot an hour’]( https://i.imgur.com/poolTzY.png)……) pretty good cause he got [Lanling]( https://i.imgur.com/nLr9583.png)……) somehow… anyhow, about our free stay… which obviously [had a catch, CAUSE NOTHING IS EVER TRULY FREE!]( https://i.imgur.com/QkMBH1I.png) So we proceed to beat the keys out of Casgil.

If anyone was wondering why the battle started with Lanling stunned, [because he had to take a business call.]( https://i.imgur.com/hoBNO2h.png)

[Battle Ensures]

We get the keys and proceed to check in. [Kiyo suggests we share rooms and everyone else gets their own]( https://i.imgur.com/edHqPxJ.png), classic kiyo~. We cuck her once again and [EVERYONE is getting their own rooms.]( https://i.imgur.com/myTiwn1.png) Kiyo receives this pretty well calling us a tease and that’s just the way she likes it. We are [greeted by a nervous Charlotte]( https://i.imgur.com/vfgUVDV.png) and she throws up her entire script before we can say anything and takes her leave, Siegfried coined it, [‘Machinegun-talk’]( https://i.imgur.com/FFYSt6H.png), which seems appropriate and we all head up to drop off our stuff? Before gathering in the lobby again. Pretty sure we’re not carrying anything but sure… Hokusai is amazed at how golden the rooms are and before the plot gets derailed again, Enter,[ ~~Best Boi~~, visually updated Kotarou-kun~](https://i.imgur.com/mIP3m1i.png). I’m sure Takahashi Rie is ascending to heaven somewhere out there. Poor guy is working when it’s his day off but he argues that being of use to us is the best kind of vacation, best boi. Back to the plot, he comes back with some intel on the game area/map and explains some of the rules for us. Turns out we need teams of fours and Sexy Sumanai is going to do what mashu usually does and monitor our status screen, Kotarou is not participating for obvious reasons and mashu/master is dead weight, so we need more members. We name a few possible candidates such as, [Berserkerlot,]( https://i.imgur.com/s1FrzEf.png) honestly, he would be pretty op if he didn’t go on a rampage every second, so scratch that, [let’s just find an archer servant.]( https://i.imgur.com/leu5I60.png)

We run into our first candidate, [James fucking Moriarty]( https://i.imgur.com/eBi6BjT.png)……) Alright, what are you up to? Suspiciously [whistles]( https://i.imgur.com/paJdJHz.png). Anyways, he says he can’t help because he much too busy doing… things. With our search hitting a dead end, yes 1 servant in and we’re done… Enter, [Deus ex Machina,]( https://i.imgur.com/kFgP1z7.png) and as his name suggests he showed up to give us hints on who we should be looking for. Very convenient. The hints are;

An Archer

Someone that would spoil their grandchildren

A sweet young maiden

Drop your answers in the comment section below~




The answer was [Helena Blavatsky]( https://i.imgur.com/fQ4Puw2.png), if you got that, then congrats to you and no I ain’t got no prizes, blew all my qp in the casino alright!

Helena joins us in a heartbeat, thanks grandma~. Looks like we got all the members Hokusai, ~~musashi~~ Iori, Mashu, Master and Helena… luckily for us [Helena can count and points out that we are one member over.]( https://i.imgur.com/33yH0kc.png) Stumped by this fact we all put our thinking caps on and musashi has an epiphany, [you don’t count as a member if you’re not a person.]( https://i.imgur.com/eoHA37X.png) We lose what remaining humanity we had and resign to being someone’s equipment… while mashu is not entirely satisfied with idea, as there are no other objections we proceed with preparing for our battle. Kotarou goes to scout out the enemy team and we have a practice match with Helena to understand each other’s strengths and weaknesses.

[Battle Ensures]

TIME TO GET PUMPED
[えーい、えーい、おーう!]( https://i.imgur.com/3gG7Aby.png)

[Post editing] Or not, cause if you choose to be silent it causes Helena to try EVEN HARDER to get us pumped and musashi dies of cuteness overload…

The chapter starts with all participates in the plane before the match starts, Okki notices us and is initially distressed about it but thanks to [her class change and lessons with Li Shuwen Sensei, she is pretty cocky]( https://i.imgur.com/YxUlYj6.png) and thinks she can beat us. Meanwhile Hokusai [doesn’t look too good]( https://i.imgur.com/eTrmD5e.png) and clings to us. [Musashi gives us the thumbs up]( https://i.imgur.com/8PVeNRy.png) and ]Okki gives the NTR’ed delusional look]( https://i.imgur.com/R2rrplf.png). Both teams refocus on the task at hand and it is time to jump. [Blackbeard notices us]( https://i.imgur.com/B6XLstX.png) on his way out and warns us that there’s no mercy on the battlefield. Luckily for us we’re not participants per say and we count as equipment… Blackbeard is somewhat disappointed, and Anne overhears the exchange and [licks her lips]( https://i.imgur.com/gaOg1fg.png) before jumping off. Now it is our to turn to jump off but Hokusai refuses to jump without us, but being the savage we are we tell her [it’s nothing new and it’s just like rayshifting]( https://i.imgur.com/tpdLVzq.png) and kick her out. Now on the ground we assemble, Fou included, seems like he got into Mashu’s backpack at some point and we get to enjoy [Hokusai’s sweet sweet tears]( https://i.imgur.com/5LXbAtU.png) for a bit before getting into a fight with another team.

[Battle Ensures]

After the battle we decide on our next course of action but [Hokusai high off of the win charges off]( https://i.imgur.com/5FU8POI.png) in a random direction, looks like the game plan is to just randomly wonder around and beat anyone we come across, a sound strategy. Meanwhile Okki and her MLG team clears an area and using the advance CPU capabilities of Mecha Eli MK2 they determine our location and [Anne volunteers to go ‘scout’ us out.]( https://i.imgur.com/ageCa4y.png) Okki goes a bit meta and points out that this is usually how people die in horror movies, Anne ignores the sound logic and goes off with [a skip in her step.]( https://i.imgur.com/G0KtP21.png) Blackbeard on the other hand susses us out and thinks that it could be a trap, knowing [Anne she could not resist treasure presented in front of her.]( https://i.imgur.com/kCFJYmt.png) He immediately sends Mecha Eli MK2 after Anne while [Okki is confused]( https://i.imgur.com/lHuiBOi.png) on why Blackbeard is in a frenzy. He repeats his hypothesis to Okki, saying that Anne and Mary would totally fall for a honey trap, especially if it was laced with Master. Which is exactly what is happening. The scene switches back to us and Fou aimlessly wondering around in the forest, before getting a flashback to Kotarou giving us a report on his findings. It turns out that [Okki and her team are cheating,]( https://i.imgur.com/0sa45SI.png) he then passes a VHS tape to Siegfried to insert into the VTR. [Siegfried does that stereotypical ‘pushes up glasses’ anime pose,]( https://i.imgur.com/adOakeF.png) for a spooky 4 star saber he sure is showing off his new costume… also the glasses are borrowed from Sigurd. Musashi flies into a rage at the mentioning of Sigurd, seems like Sigurd is Musashi’s type, [like how ~~ calm~~ hot he is and how ~~cool~~ hot he is.]( https://i.imgur.com/PqufH1t.png) That’s one superficial criteria. She then suggest we go ~~kidnap~~ borrow his wisdom. [Yeah, nah, that’s a hard no from me. ]( https://i.imgur.com/0iS36kY.png)

On the VHS we see Anne getting ganged up by [G-man, The last Samurai and a Nazgul.]( https://i.imgur.com/n25rR4m.png) It seems like they all got lost to their own respective universes and decide to indulge themselves and project their fantasies onto Anne. Except last Samurai, [cause what he suggested was fucked up,]( https://i.imgur.com/tKdLajZ.png) even by their standards… It all turns out to be a trap and Mary pops out gives these degenerates a beating. Before they are socially and physically killed, they point out that Mary being here is against the rules but as we all know, they are two servants in one, so fuck the rules. [With the Nazgul’s dying breath]( https://i.imgur.com/6tzuKdg.png) he askes Mary to call him ‘Onii-chan’ to which she complains that she wants to be the [older sister rather than the younger sister…](https://i.imgur.com/uC1yiS5.png) The Nazgul gathers up his [final strength to laugh at Mary… Worth.]( https://i.imgur.com/zvy70TV.png)

The tape ends and… everyone was left speechless. Then again, it’s nothing new, the two are always together however this does leave us at a disadvantage. Rather than fighting a 5 v 3 we start to devise a plan to pick off Anne and Mary, and in order to do so we must lure them away, but how can we? What do we have in our possession that could lure away those two…. [IF ONLY WE HAD SOME TREASURE/WINE or SOMETHING.]( https://i.imgur.com/uaPoAZF.png) IF ONLY WE HAD MASTER…

[What?]( https://i.imgur.com/7Mi0j2m.png)

[All three of them in agreement]( https://i.imgur.com/ydDd3NL.png)

Obviously Mashu is against the plan but we live in the land of democracy so…

Meanwhile back in present time, the plan worked flawlessly.

[What’s this? Master! What are you doing in a place like this?]( https://i.imgur.com/qdXw2SU.png)

[I’m lost…](https://i.imgur.com/rOWQefx.png)

[But wait, if you’re here does that mean that your participant?]( https://i.imgur.com/72k7DUU.png)

[What? A piece of equipment?]( https://i.imgur.com/vuq59SA.png)

[Then you’re just like me…](https://i.imgur.com/rCPDxnJ.png)

[But for a piece of equipment, to be here all by yourself…](https://i.imgur.com/yOh2Yr8.png)

[Moves in for the kill….](https://i.imgur.com/2MAKYCc.png)

[FOUND YA!]( https://i.imgur.com/tObeJ93.png)

[So close, yet so far…](https://i.imgur.com/jz7XXiM.png)

[You’re not getting a leg up on me!]( https://i.imgur.com/ZizI4Ei.png)

[I wasn’t planning to… besides aren’t you supposed to be with the team?]( https://i.imgur.com/F87VcDY.png)

[Well I heard Master might be in the area, so I went to ‘scout’ him out.]( https://i.imgur.com/WId9xcX.png)

[Well it can’t be help, let’s have a threesome.]( https://i.imgur.com/C3RmQZT.png)

[Master. Master, you count as a piece of equipment, right?]( https://i.imgur.com/0Huc0EV.png)

[Well yeah, I guess.]( https://i.imgur.com/JvHILWc.png)

[Which means we should treat you as such right?]( https://i.imgur.com/PHXMO0m.png)

[No, no. We’re not gonna treat you badly, we’re gonna give you lots of---]( https://i.imgur.com/yLlqhZc.png)

[Hugs]( https://i.imgur.com/ze1tGPE.png)

[Head bunting]( https://i.imgur.com/LnEj6Ub.png)

[Things we normally couldn’t do with you…]( https://i.imgur.com/2iOqXUv.png)

[we’re going to give you loooooooooots of love <3]( https://i.imgur.com/V55eiRd.png)

[Now, close your eyes <3]( https://i.imgur.com/91rYDsJ.png)

[MY CHASITY IS IN DANGER, HELP!]( https://i.imgur.com/WqGgMOM.png)

Assemble Thot Blockers! Although it seemed like [Mashu and Hokusai were unnerved]( https://i.imgur.com/5zpisBp.png) by what they just witnessed, to which Mary replies with [‘someone else is gonna take him otherwise~’]( https://i.imgur.com/B2m8y7O.png)

[Battle Ensures]

Anne and Mary collapse.

[1] [You two alright?]( https://i.imgur.com/pTE8Wfx.png)

[Yep, we’re still kicking <3.]( https://i.imgur.com/40OjRAh.png) Woah, that’s one quick recovery, although it seems like they have accepted their defeat and shall exit the game. Mecha Eli MK2 descends to confirm that both Anne and Mary have been knocked out and shall report this to Okki. [You ask if it’s not against the rules to fly]( https://i.imgur.com/ZChubXs.png), since that kinda seems like it would break the game, but Eli argues that she was born this way and this is a skill, better than a certain somebody summoning the ENTIRE OCEAN.

[Jeanne: Bow before our dolphin overlords.]( https://i.imgur.com/Axt1NRV.png)

Fair enough. Eli and Siegfried exchange blows for a bit before flying off back to her team. Siegfried figuring they now had the upper hand, taunts Eli, How are you gonna fight a 3 v 5? [Eli replies by calling him a noob]( https://i.imgur.com/7GZcBE1.png) for assume they didn’t have other tricks up their sleeves. Siegfried takes [critical damage to his ego.]( https://i.imgur.com/Hd1VzfA.png) For us FGO veterans we deduce their final trump card would be [Super Robot Mecha Eli MK2.]( https://i.imgur.com/F6hSX4L.png) Meanwhile back in Camp Okki, Okki [curses herself for not being along the castle,]( https://i.imgur.com/2w664d4.png) which Mecha Eli points out that it would’ve been impossible, but she does have a plan…

Back in Chaldea Camp, we also [deduce that it would be physically impossible for them to bring the whole robot]( https://i.imgur.com/dynnj2r.png) along and recall how strong her missiles were. Hokusai, unaware of the powers of technology claims, [should this ‘missile’ show up, she will cut it where it stands… ]( https://i.imgur.com/1wOXOsw.png)thethe) sentiment is also shared by Musashi… Siegfried does argue that if the missile is below A rank, they should be able to deal with it without too much hassle… reassurance everywhere…

The final chapter opens with both parties facing off and without wasting too much time Blackbeard [suggests we just start killing each other. ]( https://i.imgur.com/TKUf1JB.png)

[Battle Ensures]

The battle rages on due to [Blackbeard’s healing skill, [Gentlemanly Love]…]( https://i.imgur.com/Kvl7nZS.png) sure. Neither sides appear to be gaining the upper hand then [Mecha Eli MK2 reappears]( https://i.imgur.com/2z40d3W.png) and tells us that her missiles are now online and I assume all preparations are complete, because outta nowhere Okki summons [Prison Castle Csejte → Pyramid → Himeji Castle + Super Robot Mecha Eli-chan!]( https://i.imgur.com/IaHMBGl.png) In response, [Musashi bursts into laughter]( https://i.imgur.com/n5EtZHt.png) at the sight of Castle JENGATM, after she calms down she realises that [they are kinda fucked.]( https://i.imgur.com/lQd519C.jpg) Looks like we can only brute strength our way through, and to add pressure to Okki Blackbeard reminds her that if they lose she’s going to have visit Kiyo, and [it ain’t gonna be pleasant.]( https://i.imgur.com/4P9NFPF.png)

[Showdown Ensures]

Somewhat losing the battle, Okki and Mecha Eli retreat to the skies, since no of us can fly we gotta get creative. [By using Helena’s D-wheels we catapult Hokusai into the air, then to get further distance Musashi fires off an air strike which Hokusai rides.](https://www.youtube.com/watch?v=IbWGEbJQuBg) Okki and Mecha Eli prepare to do some sick evasive mauvers (steering slightly to the right), but not on my watch.

[WITH MY COMMAND SEAL, I COMMAND YOU TO HIT THOSE TWO!]( https://i.imgur.com/k7AU2NM.png)

And thus Hokusai was transformed into a homing missile.

In the aftermath, as the victors we demanded 999,999,999 QP from the Okki but obviously she doesn’t have that kind of money so we got information instead, all while Kiyo was slowly creeping up on Okki. However Okki tries to [weasel her way out of this and says that she’s not allowed to tell them anything]( https://i.imgur.com/Valndp0.png) because she is scared of Latoria. BUT, [if we command her to give us her everything, she might consider it…]( https://i.imgur.com/yienrAq.png) Obviously Mashu does not approve, but [also Hokusai]( https://i.imgur.com/nFYBmc0.png )… Seems like she’s been making one too many rape doujins… But being the savages we are…

[I WANT ALL OF YOUr information]( https://i.imgur.com/iHklyBu.png)

[A critical blow to her maiden heart!]( https://i.imgur.com/wJvO5el.png) With the last of her defences destroyed, she decides to share with us the information… [unfortunately Kiyohime overheard and well…]( https://i.imgur.com/T2zRkoY.png) We all know how this ends…

[I’ve got a question for you.]( https://i.imgur.com/I5169ol.png)

[Do I look angry to you?]( https://i.imgur.com/xwzmEVE.png)

[Yes… very much so….]( https://i.imgur.com/lLjRgOP.png)

[Now, what does an angry Kiyohime do to Okki?]( https://i.imgur.com/SxNz6DR.png)

[Laughs wickedly while turning me into pasta?]( https://i.imgur.com/MIq9PPD.png)

[Oh heavens no.]( https://i.imgur.com/crH3Nay.png)

[A thousand stabs with her spear of fire?]( https://i.imgur.com/YYSiR0M.png)

[No, no, I wouldn’t do such a thing.]( https://i.imgur.com/6YDBtB3.png)

[Then… YOU’LL FORGIVE ME?!]( https://i.imgur.com/RDMTNA5.png)

[Yes, after I…]( https://i.imgur.com/VJIxVI1.png)

The Doujo-ji bell rings…

[trap you in Doujo ji, be sure to repent on your actions okay? <3]( https://i.imgur.com/77DwivG.png)

[NUUOOOOOOOOO](https://i.imgur.com/WCQKlq3.png)

We tell Kiyo to go easy on Okki but apparently it’s not all that bad inside the bell because it does [have air conditioning](https://i.imgur.com/UZbBIhH.png)……) [what?]( https://i.imgur.com/UNwGM2C.png) yeah I know right… anyhow, with the first boss dealt with [we thank granny for her help]( https://i.imgur.com/t9c1MIy.png) and Blackbeard in Okki’s place, drops some expositional text with added [dramatic effect]( https://i.imgur.com/fF3rkcI.png) thanks to Tsar Ivan… as expected of the Tsar, being there when his people needs him.

------------------------------------

And thus this chapter comes to a conclusion, damn what an event! So as mentioned above this is not accurate in any way and I’ll be aiming to release more chapters as they come out. My Motto is Speedy and Meme-y, so I’m not going to look up every single kanji I don’t know how to read, but instead provide a little glimpse of what the story is like because I absolutely loved all the jokes the writers included and thought it was a shame that us non-japanese folks couldn't fully enjoy.

If there was any jokes that I missed and wish to share, leave them in the comments below and what are your speculations on the other casinos? What kind of references do you think will appear?

With that, I’ll see you guys in the next chapter!
submitted by Duyyy to grandorder [link] [comments]

words

abacus abdomen abdominal abide abiding ability ablaze able abnormal abrasion abrasive abreast abridge abroad abruptly absence absentee absently absinthe absolute absolve abstain abstract absurd accent acclaim acclimate accompany account accuracy accurate accustom acetone achiness aching acid acorn acquaint acquire acre acrobat acronym acting action activate activator active activism activist activity actress acts acutely acuteness aeration aerobics aerosol aerospace afar affair affected affecting affection affidavit affiliate affirm affix afflicted affluent afford affront aflame afloat aflutter afoot afraid afterglow afterlife aftermath aftermost afternoon aged ageless agency agenda agent aggregate aghast agile agility aging agnostic agonize agonizing agony agreeable agreeably agreed agreeing agreement aground ahead ahoy aide aids aim ajar alabaster alarm albatross album alfalfa algebra algorithm alias alibi alienable alienate aliens alike alive alkaline alkalize almanac almighty almost aloe aloft aloha alone alongside aloof alphabet alright although altitude alto aluminum alumni always amaretto amaze amazingly amber ambiance ambiguity ambiguous ambition ambitious ambulance ambush amendable amendment amends amenity amiable amicably amid amigo amino amiss ammonia ammonium amnesty amniotic among amount amperage ample amplifier amplify amply amuck amulet amusable amused amusement amuser amusing anaconda anaerobic anagram anatomist anatomy anchor anchovy ancient android anemia anemic aneurism anew angelfish angelic anger angled angler angles angling angrily angriness anguished angular animal animate animating animation animator anime animosity ankle annex annotate announcer annoying annually annuity anointer another answering antacid antarctic anteater antelope antennae anthem anthill anthology antibody antics antidote antihero antiquely antiques antiquity antirust antitoxic antitrust antiviral antivirus antler antonym antsy anvil anybody anyhow anymore anyone anyplace anything anytime anyway anywhere aorta apache apostle appealing appear appease appeasing appendage appendix appetite appetizer applaud applause apple appliance applicant applied apply appointee appraisal appraiser apprehend approach approval approve apricot april apron aptitude aptly aqua aqueduct arbitrary arbitrate ardently area arena arguable arguably argue arise armadillo armband armchair armed armful armhole arming armless armoire armored armory armrest army aroma arose around arousal arrange array arrest arrival arrive arrogance arrogant arson art ascend ascension ascent ascertain ashamed ashen ashes ashy aside askew asleep asparagus aspect aspirate aspire aspirin astonish astound astride astrology astronaut astronomy astute atlantic atlas atom atonable atop atrium atrocious atrophy attach attain attempt attendant attendee attention attentive attest attic attire attitude attractor attribute atypical auction audacious audacity audible audibly audience audio audition augmented august authentic author autism autistic autograph automaker automated automatic autopilot available avalanche avatar avenge avenging avenue average aversion avert aviation aviator avid avoid await awaken award aware awhile awkward awning awoke awry axis babble babbling babied baboon backache backboard backboned backdrop backed backer backfield backfire backhand backing backlands backlash backless backlight backlit backlog backpack backpedal backrest backroom backshift backside backslid backspace backspin backstab backstage backtalk backtrack backup backward backwash backwater backyard bacon bacteria bacterium badass badge badland badly badness baffle baffling bagel bagful baggage bagged baggie bagginess bagging baggy bagpipe baguette baked bakery bakeshop baking balance balancing balcony balmy balsamic bamboo banana banish banister banjo bankable bankbook banked banker banking banknote bankroll banner bannister banshee banter barbecue barbed barbell barber barcode barge bargraph barista baritone barley barmaid barman barn barometer barrack barracuda barrel barrette barricade barrier barstool bartender barterer bash basically basics basil basin basis basket batboy batch bath baton bats battalion battered battering battery batting battle bauble bazooka blabber bladder blade blah blame blaming blanching blandness blank blaspheme blasphemy blast blatancy blatantly blazer blazing bleach bleak bleep blemish blend bless blighted blimp bling blinked blinker blinking blinks blip blissful blitz blizzard bloated bloating blob blog bloomers blooming blooper blot blouse blubber bluff bluish blunderer blunt blurb blurred blurry blurt blush blustery boaster boastful boasting boat bobbed bobbing bobble bobcat bobsled bobtail bodacious body bogged boggle bogus boil bok bolster bolt bonanza bonded bonding bondless boned bonehead boneless bonelike boney bonfire bonnet bonsai bonus bony boogeyman boogieman book boondocks booted booth bootie booting bootlace bootleg boots boozy borax boring borough borrower borrowing boss botanical botanist botany botch both bottle bottling bottom bounce bouncing bouncy bounding boundless bountiful bovine boxcar boxer boxing boxlike boxy breach breath breeches breeching breeder breeding breeze breezy brethren brewery brewing briar bribe brick bride bridged brigade bright brilliant brim bring brink brisket briskly briskness bristle brittle broadband broadcast broaden broadly broadness broadside broadways broiler broiling broken broker bronchial bronco bronze bronzing brook broom brought browbeat brownnose browse browsing bruising brunch brunette brunt brush brussels brute brutishly bubble bubbling bubbly buccaneer bucked bucket buckle buckshot buckskin bucktooth buckwheat buddhism buddhist budding buddy budget buffalo buffed buffer buffing buffoon buggy bulb bulge bulginess bulgur bulk bulldog bulldozer bullfight bullfrog bullhorn bullion bullish bullpen bullring bullseye bullwhip bully bunch bundle bungee bunion bunkbed bunkhouse bunkmate bunny bunt busboy bush busily busload bust busybody buzz cabana cabbage cabbie cabdriver cable caboose cache cackle cacti cactus caddie caddy cadet cadillac cadmium cage cahoots cake calamari calamity calcium calculate calculus caliber calibrate calm caloric calorie calzone camcorder cameo camera camisole camper campfire camping campsite campus canal canary cancel candied candle candy cane canine canister cannabis canned canning cannon cannot canola canon canopener canopy canteen canyon capable capably capacity cape capillary capital capitol capped capricorn capsize capsule caption captivate captive captivity capture caramel carat caravan carbon cardboard carded cardiac cardigan cardinal cardstock carefully caregiver careless caress caretaker cargo caring carless carload carmaker carnage carnation carnival carnivore carol carpenter carpentry carpool carport carried carrot carrousel carry cartel cartload carton cartoon cartridge cartwheel carve carving carwash cascade case cash casing casino casket cassette casually casualty catacomb catalog catalyst catalyze catapult cataract catatonic catcall catchable catcher catching catchy caterer catering catfight catfish cathedral cathouse catlike catnap catnip catsup cattail cattishly cattle catty catwalk caucasian caucus causal causation cause causing cauterize caution cautious cavalier cavalry caviar cavity cedar celery celestial celibacy celibate celtic cement census ceramics ceremony certainly certainty certified certify cesarean cesspool chafe chaffing chain chair chalice challenge chamber chamomile champion chance change channel chant chaos chaperone chaplain chapped chaps chapter character charbroil charcoal charger charging chariot charity charm charred charter charting chase chasing chaste chastise chastity chatroom chatter chatting chatty cheating cheddar cheek cheer cheese cheesy chef chemicals chemist chemo cherisher cherub chess chest chevron chevy chewable chewer chewing chewy chief chihuahua childcare childhood childish childless childlike chili chill chimp chip chirping chirpy chitchat chivalry chive chloride chlorine choice chokehold choking chomp chooser choosing choosy chop chosen chowder chowtime chrome chubby chuck chug chummy chump chunk churn chute cider cilantro cinch cinema cinnamon circle circling circular circulate circus citable citadel citation citizen citric citrus city civic civil clad claim clambake clammy clamor clamp clamshell clang clanking clapped clapper clapping clarify clarinet clarity clash clasp class clatter clause clavicle claw clay clean clear cleat cleaver cleft clench clergyman clerical clerk clever clicker client climate climatic cling clinic clinking clip clique cloak clobber clock clone cloning closable closure clothes clothing cloud clover clubbed clubbing clubhouse clump clumsily clumsy clunky clustered clutch clutter coach coagulant coastal coaster coasting coastland coastline coat coauthor cobalt cobbler cobweb cocoa coconut cod coeditor coerce coexist coffee cofounder cognition cognitive cogwheel coherence coherent cohesive coil coke cola cold coleslaw coliseum collage collapse collar collected collector collide collie collision colonial colonist colonize colony colossal colt coma come comfort comfy comic coming comma commence commend comment commerce commode commodity commodore common commotion commute commuting compacted compacter compactly compactor companion company compare compel compile comply component composed composer composite compost composure compound compress comprised computer computing comrade concave conceal conceded concept concerned concert conch concierge concise conclude concrete concur condense condiment condition condone conducive conductor conduit cone confess confetti confidant confident confider confiding configure confined confining confirm conflict conform confound confront confused confusing confusion congenial congested congrats congress conical conjoined conjure conjuror connected connector consensus consent console consoling consonant constable constant constrain constrict construct consult consumer consuming contact container contempt contend contented contently contents contest context contort contour contrite control contusion convene convent copartner cope copied copier copilot coping copious copper copy coral cork cornball cornbread corncob cornea corned corner cornfield cornflake cornhusk cornmeal cornstalk corny coronary coroner corporal corporate corral correct corridor corrode corroding corrosive corsage corset cortex cosigner cosmetics cosmic cosmos cosponsor cost cottage cotton couch cough could countable countdown counting countless country county courier covenant cover coveted coveting coyness cozily coziness cozy crabbing crabgrass crablike crabmeat cradle cradling crafter craftily craftsman craftwork crafty cramp cranberry crane cranial cranium crank crate crave craving crawfish crawlers crawling crayfish crayon crazed crazily craziness crazy creamed creamer creamlike crease creasing creatable create creation creative creature credible credibly credit creed creme creole crepe crept crescent crested cresting crestless crevice crewless crewman crewmate crib cricket cried crier crimp crimson cringe cringing crinkle crinkly crisped crisping crisply crispness crispy criteria critter croak crock crook croon crop cross crouch crouton crowbar crowd crown crucial crudely crudeness cruelly cruelness cruelty crumb crummiest crummy crumpet crumpled cruncher crunching crunchy crusader crushable crushed crusher crushing crust crux crying cryptic crystal cubbyhole cube cubical cubicle cucumber cuddle cuddly cufflink culinary culminate culpable culprit cultivate cultural culture cupbearer cupcake cupid cupped cupping curable curator curdle cure curfew curing curled curler curliness curling curly curry curse cursive cursor curtain curtly curtsy curvature curve curvy cushy cusp cussed custard custodian custody customary customer customize customs cut cycle cyclic cycling cyclist cylinder cymbal cytoplasm cytoplast dab dad daffodil dagger daily daintily dainty dairy daisy dallying dance dancing dandelion dander dandruff dandy danger dangle dangling daredevil dares daringly darkened darkening darkish darkness darkroom darling darn dart darwinism dash dastardly data datebook dating daughter daunting dawdler dawn daybed daybreak daycare daydream daylight daylong dayroom daytime dazzler dazzling deacon deafening deafness dealer dealing dealmaker dealt dean debatable debate debating debit debrief debtless debtor debug debunk decade decaf decal decathlon decay deceased deceit deceiver deceiving december decency decent deception deceptive decibel decidable decimal decimeter decipher deck declared decline decode decompose decorated decorator decoy decrease decree dedicate dedicator deduce deduct deed deem deepen deeply deepness deface defacing defame default defeat defection defective defendant defender defense defensive deferral deferred defiance defiant defile defiling define definite deflate deflation deflator deflected deflector defog deforest defraud defrost deftly defuse defy degraded degrading degrease degree dehydrate deity dejected delay delegate delegator delete deletion delicacy delicate delicious delighted delirious delirium deliverer delivery delouse delta deluge delusion deluxe demanding demeaning demeanor demise democracy democrat demote demotion demystify denatured deniable denial denim denote dense density dental dentist denture deny deodorant deodorize departed departure depict deplete depletion deplored deploy deport depose depraved depravity deprecate depress deprive depth deputize deputy derail deranged derby derived desecrate deserve deserving designate designed designer designing deskbound desktop deskwork desolate despair despise despite destiny destitute destruct detached detail detection detective detector detention detergent detest detonate detonator detoxify detract deuce devalue deviancy deviant deviate deviation deviator device devious devotedly devotee devotion devourer devouring devoutly dexterity dexterous diabetes diabetic diabolic diagnoses diagnosis diagram dial diameter diaper diaphragm diary dice dicing dictate dictation dictator difficult diffused diffuser diffusion diffusive dig dilation diligence diligent dill dilute dime diminish dimly dimmed dimmer dimness dimple diner dingbat dinghy dinginess dingo dingy dining dinner diocese dioxide diploma dipped dipper dipping directed direction directive directly directory direness dirtiness disabled disagree disallow disarm disarray disaster disband disbelief disburse discard discern discharge disclose discolor discount discourse discover discuss disdain disengage disfigure disgrace dish disinfect disjoin disk dislike disliking dislocate dislodge disloyal dismantle dismay dismiss dismount disobey disorder disown disparate disparity dispatch dispense dispersal dispersed disperser displace display displease disposal dispose disprove dispute disregard disrupt dissuade distance distant distaste distill distinct distort distract distress district distrust ditch ditto ditzy dividable divided dividend dividers dividing divinely diving divinity divisible divisibly division divisive divorcee dizziness dizzy doable docile dock doctrine document dodge dodgy doily doing dole dollar dollhouse dollop dolly dolphin domain domelike domestic dominion dominoes donated donation donator donor donut doodle doorbell doorframe doorknob doorman doormat doornail doorpost doorstep doorstop doorway doozy dork dormitory dorsal dosage dose dotted doubling douche dove down dowry doze drab dragging dragonfly dragonish dragster drainable drainage drained drainer drainpipe dramatic dramatize drank drapery drastic draw dreaded dreadful dreadlock dreamboat dreamily dreamland dreamless dreamlike dreamt dreamy drearily dreary drench dress drew dribble dried drier drift driller drilling drinkable drinking dripping drippy drivable driven driver driveway driving drizzle drizzly drone drool droop drop-down dropbox dropkick droplet dropout dropper drove drown drowsily drudge drum dry dubbed dubiously duchess duckbill ducking duckling ducktail ducky duct dude duffel dugout duh duke duller dullness duly dumping dumpling dumpster duo dupe duplex duplicate duplicity durable durably duration duress during dusk dust dutiful duty duvet dwarf dweeb dwelled dweller dwelling dwindle dwindling dynamic dynamite dynasty dyslexia dyslexic each eagle earache eardrum earflap earful earlobe early earmark earmuff earphone earpiece earplugs earring earshot earthen earthlike earthling earthly earthworm earthy earwig easeful easel easiest easily easiness easing eastbound eastcoast easter eastward eatable eaten eatery eating eats ebay ebony ebook ecard eccentric echo eclair eclipse ecologist ecology economic economist economy ecosphere ecosystem edge edginess edging edgy edition editor educated education educator eel effective effects efficient effort eggbeater egging eggnog eggplant eggshell egomaniac egotism egotistic either eject elaborate elastic elated elbow eldercare elderly eldest electable election elective elephant elevate elevating elevation elevator eleven elf eligible eligibly eliminate elite elitism elixir elk ellipse elliptic elm elongated elope eloquence eloquent elsewhere elude elusive elves email embargo embark embassy embattled embellish ember embezzle emblaze emblem embody embolism emboss embroider emcee emerald emergency emission emit emote emoticon emotion empathic empathy emperor emphases emphasis emphasize emphatic empirical employed employee employer emporium empower emptier emptiness empty emu enable enactment enamel enchanted enchilada encircle enclose enclosure encode encore encounter encourage encroach encrust encrypt endanger endeared endearing ended ending endless endnote endocrine endorphin endorse endowment endpoint endurable endurance enduring energetic energize energy enforced enforcer engaged engaging engine engorge engraved engraver engraving engross engulf enhance enigmatic enjoyable enjoyably enjoyer enjoying enjoyment enlarged enlarging enlighten enlisted enquirer enrage enrich enroll enslave ensnare ensure entail entangled entering entertain enticing entire entitle entity entomb entourage entrap entree entrench entrust entryway entwine enunciate envelope enviable enviably envious envision envoy envy enzyme epic epidemic epidermal epidermis epidural epilepsy epileptic epilogue epiphany episode equal equate equation equator equinox equipment equity equivocal eradicate erasable erased eraser erasure ergonomic errand errant erratic error erupt escalate escalator escapable escapade escapist escargot eskimo esophagus espionage espresso esquire essay essence essential establish estate esteemed estimate estimator estranged estrogen etching eternal eternity ethanol ether ethically ethics euphemism evacuate evacuee evade evaluate evaluator evaporate evasion evasive even everglade evergreen everybody everyday everyone evict evidence evident evil evoke evolution evolve exact exalted example excavate excavator exceeding exception excess exchange excitable exciting exclaim exclude excluding exclusion exclusive excretion excretory excursion excusable excusably excuse exemplary exemplify exemption exerciser exert exes exfoliate exhale exhaust exhume exile existing exit exodus exonerate exorcism exorcist expand expanse expansion expansive expectant expedited expediter expel expend expenses expensive expert expire expiring explain expletive explicit explode exploit explore exploring exponent exporter exposable expose exposure express expulsion exquisite extended extending extent extenuate exterior external extinct extortion extradite extras extrovert extrude extruding exuberant fable fabric fabulous facebook facecloth facedown faceless facelift faceplate faceted facial facility facing facsimile faction factoid factor factsheet factual faculty fade fading failing falcon fall false falsify fame familiar family famine famished fanatic fancied fanciness fancy fanfare fang fanning fantasize fantastic fantasy fascism fastball faster fasting fastness faucet favorable favorably favored favoring favorite fax feast federal fedora feeble feed feel feisty feline felt-tip feminine feminism feminist feminize femur fence fencing fender ferment fernlike ferocious ferocity ferret ferris ferry fervor fester festival festive festivity fetal fetch fever fiber fiction fiddle fiddling fidelity fidgeting fidgety fifteen fifth fiftieth fifty figment figure figurine filing filled filler filling film filter filth filtrate finale finalist finalize finally finance financial finch fineness finer finicky finished finisher finishing finite finless finlike fiscally fit five flaccid flagman flagpole flagship flagstick flagstone flail flakily flaky flame flammable flanked flanking flannels flap flaring flashback flashbulb flashcard flashily flashing flashy flask flatbed flatfoot flatly flatness flatten flattered flatterer flattery flattop flatware flatworm flavored flavorful flavoring flaxseed fled fleshed fleshy flick flier flight flinch fling flint flip flirt float flock flogging flop floral florist floss flounder flyable flyaway flyer flying flyover flypaper foam foe fog foil folic folk follicle follow fondling fondly fondness fondue font food fool footage football footbath footboard footer footgear foothill foothold footing footless footman footnote footpad footpath footprint footrest footsie footsore footwear footwork fossil foster founder founding fountain fox foyer fraction fracture fragile fragility fragment fragrance fragrant frail frame framing frantic fraternal frayed fraying frays freckled freckles freebase freebee freebie freedom freefall freehand freeing freeload freely freemason freeness freestyle freeware freeway freewill freezable freezing freight french frenzied frenzy frequency frequent fresh fretful fretted friction friday fridge fried friend frighten frightful frigidity frigidly frill fringe frisbee frisk fritter frivolous frolic from front frostbite frosted frostily frosting frostlike frosty froth frown frozen fructose frugality frugally fruit frustrate frying gab gaffe gag gainfully gaining gains gala gallantly galleria gallery galley gallon gallows gallstone galore galvanize gambling game gaming gamma gander gangly gangrene gangway gap garage garbage garden gargle garland garlic garment garnet garnish garter gas gatherer gathering gating gauging gauntlet gauze gave gawk gazing gear gecko geek geiger gem gender generic generous genetics genre gentile gentleman gently gents geography geologic geologist geology geometric geometry geranium gerbil geriatric germicide germinate germless germproof gestate gestation gesture getaway getting getup giant gibberish giblet giddily giddiness giddy gift gigabyte gigahertz gigantic giggle giggling giggly gigolo gilled gills gimmick girdle giveaway given giver giving gizmo gizzard glacial glacier glade gladiator gladly glamorous glamour glance glancing glandular glare glaring glass glaucoma glazing gleaming gleeful glider gliding glimmer glimpse glisten glitch glitter glitzy gloater gloating gloomily gloomy glorified glorifier glorify glorious glory gloss glove glowing glowworm glucose glue gluten glutinous glutton gnarly gnat goal goatskin goes goggles going goldfish goldmine goldsmith golf goliath gonad gondola gone gong good gooey goofball goofiness goofy google goon gopher gore gorged gorgeous gory gosling gossip gothic gotten gout gown grab graceful graceless gracious gradation graded grader gradient grading gradually graduate graffiti grafted grafting grain granddad grandkid grandly grandma grandpa grandson granite granny granola grant granular grape graph grapple grappling grasp grass gratified gratify grating gratitude gratuity gravel graveness graves graveyard gravitate gravity gravy gray grazing greasily greedily greedless greedy green greeter greeting grew greyhound grid grief grievance grieving grievous grill grimace grimacing grime griminess grimy grinch grinning grip gristle grit groggily groggy groin groom groove grooving groovy grope ground grouped grout grove grower growing growl grub grudge grudging grueling gruffly grumble grumbling grumbly grumpily grunge grunt guacamole guidable guidance guide guiding guileless guise gulf gullible gully gulp gumball gumdrop gumminess gumming gummy gurgle gurgling guru gush gusto gusty gutless guts gutter guy guzzler gyration habitable habitant habitat habitual hacked hacker hacking hacksaw had haggler haiku half halogen halt halved halves hamburger hamlet hammock hamper hamster hamstring handbag handball handbook handbrake handcart handclap handclasp handcraft handcuff handed handful handgrip handgun handheld handiness handiwork handlebar handled handler handling handmade handoff handpick handprint handrail handsaw handset handsfree handshake handstand handwash handwork handwoven handwrite handyman hangnail hangout hangover hangup hankering hankie hanky haphazard happening happier happiest happily happiness happy harbor hardcopy hardcore hardcover harddisk hardened hardener hardening hardhat hardhead hardiness hardly hardness hardship hardware hardwired hardwood hardy harmful harmless harmonica harmonics harmonize harmony harness harpist harsh harvest hash hassle haste hastily hastiness hasty hatbox hatchback hatchery hatchet hatching hatchling hate hatless hatred haunt haven hazard hazelnut hazily haziness hazing hazy headache headband headboard headcount headdress headed header headfirst headgear heading headlamp headless headlock headphone headpiece headrest headroom headscarf headset headsman headstand headstone headway headwear heap heat heave heavily heaviness heaving hedge hedging heftiness hefty helium helmet helper helpful helping helpless helpline hemlock hemstitch hence henchman henna herald herbal herbicide herbs heritage hermit heroics heroism herring herself hertz hesitancy hesitant hesitate hexagon hexagram hubcap huddle huddling huff hug hula hulk hull human humble humbling humbly humid humiliate humility humming hummus humongous humorist humorless humorous humpback humped humvee hunchback hundredth hunger hungrily hungry hunk hunter hunting huntress huntsman hurdle hurled hurler hurling hurray hurricane hurried hurry hurt husband hush husked huskiness hut hybrid hydrant hydrated hydration hydrogen hydroxide hyperlink hypertext hyphen hypnoses hypnosis hypnotic hypnotism hypnotist hypnotize hypocrisy hypocrite ibuprofen ice iciness icing icky icon icy idealism idealist idealize ideally idealness identical identify identity ideology idiocy idiom idly igloo ignition ignore iguana illicitly illusion illusive image imaginary imagines imaging imbecile imitate imitation immature immerse immersion imminent immobile immodest immorally immortal immovable immovably immunity immunize impaired impale impart impatient impeach impeding impending imperfect imperial impish implant implement implicate implicit implode implosion implosive imply impolite important importer impose imposing impotence impotency impotent impound imprecise imprint imprison impromptu improper improve improving improvise imprudent impulse impulsive impure impurity iodine iodize ion ipad iphone ipod irate irk iron irregular irrigate irritable irritably irritant irritate islamic islamist isolated isolating isolation isotope issue issuing italicize italics item itinerary itunes ivory ivy jab jackal jacket jackknife jackpot jailbird jailbreak jailer jailhouse jalapeno jam janitor january jargon jarring jasmine jaundice jaunt java jawed jawless jawline jaws jaybird jaywalker jazz jeep jeeringly jellied jelly jersey jester jet jiffy jigsaw jimmy jingle jingling jinx jitters jittery job jockey jockstrap jogger jogging john joining jokester jokingly jolliness jolly jolt jot jovial joyfully joylessly joyous joyride joystick jubilance jubilant judge judgingly judicial judiciary judo juggle juggling jugular juice juiciness juicy jujitsu jukebox july jumble jumbo jump junction juncture june junior juniper junkie junkman junkyard jurist juror jury justice justifier justify justly justness juvenile kabob kangaroo karaoke karate karma kebab keenly keenness keep keg kelp kennel kept kerchief kerosene kettle kick kiln kilobyte kilogram kilometer kilowatt kilt kimono kindle kindling kindly kindness kindred kinetic kinfolk king kinship kinsman kinswoman kissable kisser kissing kitchen kite kitten kitty kiwi kleenex knapsack knee knelt knickers knoll koala kooky kosher krypton kudos kung labored laborer laboring laborious labrador ladder ladies ladle ladybug ladylike lagged lagging lagoon lair lake lance landed landfall landfill landing landlady landless landline landlord landmark landmass landmine landowner landscape landside landslide language lankiness lanky lantern lapdog lapel lapped lapping laptop lard large lark lash lasso last latch late lather latitude latrine latter latticed launch launder laundry laurel lavender lavish laxative lazily laziness lazy lecturer left legacy legal legend legged leggings legible legibly legislate lego legroom legume legwarmer legwork lemon lend length lens lent leotard lesser letdown lethargic lethargy letter lettuce level leverage levers levitate levitator liability liable liberty librarian library licking licorice lid life lifter lifting liftoff ligament likely likeness likewise liking lilac lilly lily limb limeade limelight limes limit limping limpness line lingo linguini linguist lining linked linoleum linseed lint lion lip liquefy liqueur liquid lisp list litigate litigator litmus litter little livable lived lively liver livestock lividly living lizard lubricant lubricate lucid luckily luckiness luckless lucrative ludicrous lugged lukewarm lullaby lumber luminance luminous lumpiness lumping lumpish lunacy lunar lunchbox luncheon lunchroom lunchtime lung lurch lure luridness lurk lushly lushness luster lustfully lustily lustiness lustrous lusty luxurious luxury lying lyrically lyricism lyricist lyrics macarena macaroni macaw mace machine machinist magazine magenta maggot magical magician magma magnesium magnetic magnetism magnetize magnifier magnify magnitude magnolia mahogany maimed majestic majesty majorette majority makeover maker makeshift making malformed malt mama mammal mammary mammogram manager managing manatee mandarin mandate mandatory mandolin manger mangle mango mangy manhandle manhole manhood manhunt manicotti manicure manifesto manila mankind manlike manliness manly manmade manned mannish manor manpower mantis mantra manual many map marathon marauding marbled marbles marbling march mardi margarine margarita margin marigold marina marine marital maritime marlin marmalade maroon married marrow marry marshland marshy marsupial marvelous marxism mascot masculine mashed mashing massager masses massive mastiff matador matchbook matchbox matcher matching matchless material maternal maternity math mating matriarch matrimony matrix matron matted matter maturely maturing maturity mauve maverick maximize maximum maybe mayday mayflower moaner moaning mobile mobility mobilize mobster mocha mocker mockup modified modify modular modulator module moisten moistness moisture molar molasses mold molecular molecule molehill mollusk mom monastery monday monetary monetize moneybags moneyless moneywise mongoose mongrel monitor monkhood monogamy monogram monologue monopoly monorail monotone monotype monoxide monsieur monsoon monstrous monthly monument moocher moodiness moody mooing moonbeam mooned moonlight moonlike moonlit moonrise moonscape moonshine moonstone moonwalk mop morale morality morally morbidity morbidly morphine morphing morse mortality mortally mortician mortified mortify mortuary mosaic mossy most mothball mothproof motion motivate motivator motive motocross motor motto mountable mountain mounted mounting mourner mournful mouse mousiness moustache mousy mouth movable move movie moving mower mowing much muck mud mug mulberry mulch mule mulled mullets multiple multiply multitask multitude mumble mumbling mumbo mummified mummify mummy mumps munchkin mundane municipal muppet mural murkiness murky murmuring muscular museum mushily mushiness mushroom mushy music musket muskiness musky mustang mustard muster mustiness musty mutable mutate mutation mute mutilated mutilator mutiny mutt mutual muzzle myself myspace mystified mystify myth nacho nag nail name naming nanny nanometer nape napkin napped napping nappy narrow nastily nastiness national native nativity natural nature naturist nautical navigate navigator navy nearby nearest nearly nearness neatly neatness nebula nebulizer nectar negate negation negative neglector negligee negligent negotiate nemeses nemesis neon nephew nerd nervous nervy nest net neurology neuron neurosis neurotic neuter neutron never next nibble nickname nicotine niece nifty nimble nimbly nineteen ninetieth ninja nintendo ninth nuclear nuclei nucleus nugget nullify number numbing numbly numbness numeral numerate numerator numeric numerous nuptials nursery nursing nurture nutcase nutlike nutmeg nutrient nutshell nuttiness nutty nuzzle nylon oaf oak oasis oat obedience obedient obituary object obligate obliged oblivion oblivious oblong obnoxious oboe obscure obscurity observant observer observing obsessed obsession obsessive obsolete obstacle obstinate obstruct obtain obtrusive obtuse obvious occultist occupancy occupant occupier occupy ocean ocelot octagon octane october octopus ogle oil oink ointment okay old olive olympics omega omen ominous omission omit omnivore onboard oncoming ongoing onion online onlooker only onscreen onset onshore onslaught onstage onto onward onyx oops ooze oozy opacity opal open operable operate operating operation operative operator opium opossum opponent oppose opposing opposite oppressed oppressor opt opulently osmosis other otter ouch ought ounce outage outback outbid outboard outbound outbreak outburst outcast outclass outcome outdated outdoors outer outfield outfit outflank outgoing outgrow outhouse outing outlast outlet outline outlook outlying outmatch outmost outnumber outplayed outpost outpour output outrage outrank outreach outright outscore outsell outshine outshoot outsider outskirts outsmart outsource outspoken outtakes outthink outward outweigh outwit oval ovary oven overact overall overarch overbid overbill overbite overblown overboard overbook overbuilt overcast overcoat overcome overcook overcrowd overdraft overdrawn overdress overdrive overdue overeager overeater overexert overfed overfeed overfill overflow overfull overgrown overhand overhang overhaul overhead overhear overheat overhung overjoyed overkill overlabor overlaid overlap overlay overload overlook overlord overlying overnight overpass overpay overplant overplay overpower overprice overrate overreach overreact override overripe overrule overrun overshoot overshot oversight oversized oversleep oversold overspend overstate overstay overstep overstock overstuff oversweet overtake overthrow overtime overtly overtone overture overturn overuse overvalue overview overwrite owl oxford oxidant oxidation oxidize oxidizing oxygen oxymoron oyster ozone paced pacemaker pacific pacifier pacifism pacifist pacify padded padding paddle paddling padlock pagan pager paging pajamas palace palatable palm palpable palpitate paltry pampered pamperer pampers pamphlet panama pancake pancreas panda pandemic pang panhandle panic panning panorama panoramic panther pantomime pantry pants pantyhose paparazzi papaya paper paprika papyrus parabola parachute parade paradox paragraph parakeet paralegal paralyses paralysis paralyze paramedic parameter paramount parasail parasite parasitic parcel parched parchment pardon parish parka parking parkway parlor parmesan parole parrot parsley parsnip partake parted parting partition partly partner partridge party passable passably passage passcode passenger passerby passing passion passive passivism passover passport password pasta pasted pastel pastime pastor pastrami pasture pasty patchwork patchy paternal paternity path patience patient patio patriarch patriot patrol patronage patronize pauper pavement paver pavestone pavilion paving pawing payable payback paycheck payday payee payer paying payment payphone payroll pebble pebbly pecan pectin peculiar peddling pediatric pedicure pedigree pedometer pegboard pelican pellet pelt pelvis penalize penalty pencil pendant pending penholder penknife pennant penniless penny penpal pension pentagon pentagram pep perceive percent perch percolate perennial perfected perfectly perfume periscope perish perjurer perjury perkiness perky perm peroxide perpetual perplexed persecute persevere persuaded persuader pesky peso pessimism pessimist pester pesticide petal petite petition petri petroleum petted petticoat pettiness petty petunia phantom phobia phoenix phonebook phoney phonics phoniness phony phosphate photo phrase phrasing placard placate placidly plank planner plant plasma plaster plastic plated platform plating platinum platonic platter platypus plausible plausibly playable playback player playful playgroup playhouse playing playlist playmaker playmate playoff playpen playroom playset plaything playtime plaza pleading pleat pledge plentiful plenty plethora plexiglas pliable plod plop plot plow ploy pluck plug plunder plunging plural plus plutonium plywood poach pod poem poet pogo pointed pointer pointing pointless pointy poise poison poker poking polar police policy polio polish politely polka polo polyester polygon polygraph polymer poncho pond pony popcorn pope poplar popper poppy popsicle populace popular populate porcupine pork porous porridge portable portal portfolio porthole portion portly portside poser posh posing possible possibly possum postage postal postbox postcard posted poster posting postnasal posture postwar pouch pounce pouncing pound pouring pout powdered powdering powdery power powwow pox praising prance prancing pranker prankish prankster prayer praying preacher preaching preachy preamble precinct precise precision precook precut predator predefine predict preface prefix preflight preformed pregame pregnancy pregnant preheated prelaunch prelaw prelude premiere premises premium prenatal preoccupy preorder prepaid prepay preplan preppy preschool prescribe preseason preset preshow president presoak press presume presuming preteen pretended pretender pretense pretext pretty pretzel prevail prevalent prevent preview previous prewar prewashed prideful pried primal primarily primary primate primer primp princess print prior prism prison prissy pristine privacy private privatize prize proactive probable probably probation probe probing probiotic problem procedure process proclaim procreate procurer prodigal prodigy produce product profane profanity professed professor profile profound profusely progeny prognosis program progress projector prologue prolonged promenade prominent promoter promotion prompter promptly prone prong pronounce pronto proofing proofread proofs propeller properly property proponent proposal propose props prorate protector protegee proton prototype protozoan protract protrude proud provable proved proven provided provider providing province proving provoke provoking provolone prowess prowler prowling proximity proxy prozac prude prudishly prune pruning pry psychic public publisher pucker pueblo pug pull pulmonary pulp pulsate pulse pulverize puma pumice pummel punch punctual punctuate punctured pungent punisher punk pupil puppet puppy purchase pureblood purebred purely pureness purgatory purge purging purifier purify purist puritan purity purple purplish purposely purr purse pursuable pursuant pursuit purveyor pushcart pushchair pusher pushiness pushing pushover pushpin pushup pushy putdown putt puzzle puzzling pyramid pyromania python
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